Ravishing to the eye or as Suzy Amis put it: Menschen malen Illusionen
10 August 2004
This film brought out the barracuda in most of the major critics. And did the public take one bit of notion? It did and flocked elsewhere.

But I still remember the overall impact this forgotten little gem had on me when I watched it some 14 odd years ago in one of these little arthouse cinemas that had all but vanished as multiplexes became the latest rage. 'Breathtaking' was the word for it. This reaction was caused by the picture's extraordinary visual beauty: cinematography as an art form has never been more ravishingly demonstrated as in the composition of light, shade and colour. I remember a series of scenes so beautiful I wanted to stop the moving pictures occasionally and just be a picture.

But like other visual masterpieces, its triumph did not extend to the screenplay and dialogues that were often boring, sometimes even downright foolish.
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