Fables were used in the past to tell stories to children. Here Hector (Robin Williams) and a woman story teller (Theresa Russel) whom we never see but only hear, weave several stories for Hector's children to explain his absence from their lives for several years. Each story attempts to explain figuratively what emotions he went through during the period.
An attentive viewer is amply rewarded by director Bill Forsyth--if you are a casual viewer you will wonder what is happening and consider the film to be disjointed and hence poor entertainment.
Non-linear narratives are not Forsyth's invention--such films have adorned French and Hungarian cinema for decades. "Being Human" is above average in that company merely because of fine performances from Williams, the beautiful Anna Galiena (Beatrice) an Italian actress, Hector Elizondo, John Turturro, William Macy, and Ewan McGregor to mention a few.
While the imaginative storytelling technique was impressive, Forsyth never explains who the lady narrator is. Are we expected to imagine it to be Hector's new love? The gradual jumps in time scales, gives us a socio-historical perspective into Hector's education in life, seen through the eyes of his children. Forsyth is interesting but not the best director using this technique. His film demands attention, both literally and figuratively.
I understand that the director disowns the film after the studios forced him to truncate the film by 40 minutes. Probably the director's cut is far superior to the present version and is likely to be more satisfying to a discerning viewer.
An attentive viewer is amply rewarded by director Bill Forsyth--if you are a casual viewer you will wonder what is happening and consider the film to be disjointed and hence poor entertainment.
Non-linear narratives are not Forsyth's invention--such films have adorned French and Hungarian cinema for decades. "Being Human" is above average in that company merely because of fine performances from Williams, the beautiful Anna Galiena (Beatrice) an Italian actress, Hector Elizondo, John Turturro, William Macy, and Ewan McGregor to mention a few.
While the imaginative storytelling technique was impressive, Forsyth never explains who the lady narrator is. Are we expected to imagine it to be Hector's new love? The gradual jumps in time scales, gives us a socio-historical perspective into Hector's education in life, seen through the eyes of his children. Forsyth is interesting but not the best director using this technique. His film demands attention, both literally and figuratively.
I understand that the director disowns the film after the studios forced him to truncate the film by 40 minutes. Probably the director's cut is far superior to the present version and is likely to be more satisfying to a discerning viewer.