The most delightful daydream has always been the one in which you're put into an environment completely different from the one you know, and you become much happier as a result. In the cinema, this has resulted in some classics: A Yankee in King Arthur's Court comes to mind, or Chatiliez's first film, La vie est une longue fleuve tranquille, which hangs on two babies being switched at birth, and the families find out about it many years later.
This picture has the great Michel Serrault playing the lead, a frustrated businessman who is mistaken for a man who disappeared many years before, and who is tracked down via a TV show that specializes in this sort of squirm-inducing hokum. He's only too glad to abandon the snobby, sarcastic wife (Sabine Azema) he's spent miserable years with, to go live with Carmen Maura in the sun of Provence. There is the sense that the dream cannot go on forever, but you enjoy how the story plays out.
This picture has the great Michel Serrault playing the lead, a frustrated businessman who is mistaken for a man who disappeared many years before, and who is tracked down via a TV show that specializes in this sort of squirm-inducing hokum. He's only too glad to abandon the snobby, sarcastic wife (Sabine Azema) he's spent miserable years with, to go live with Carmen Maura in the sun of Provence. There is the sense that the dream cannot go on forever, but you enjoy how the story plays out.