There is a thin line between exploring new fields, and simple trash. "The prophecy" is moving on this line, and it doesn't decide itself for none of both sides. It isn't trash because of the interesting theological question (how can we love god if he is absent?) and the strong appearance of Christopher Walken and Viggo Mortensen; it isn't convincing either because of the non-development of the supposed main character, the unsatisfying end and the absolutely not convincing nexus between celestial and secular business.
Review of The Prophecy
