Andersonville (1996)
9/10
A Civil War Morality Tale...
10 December 1998
"Andersonville" is John Frankenheimer's most pivotal step in his quest to regain a perch on Hollywood's "A" list of directors, and he is in true Frankenheimer form in this latest of TNT, Civil War-oriented mini-series. Quite simply, it's about a group of Union soldiers and their span of a year doing hard time in the most infamous of Southern prison camps, and one of the most infamous of prison camps in recorded history, Andersonville, Georgia. Andersonville the prison is literally a fenced-in cesspool of humanity: it's grossly overcrowded, there's not enough food to go around, there's no shelter from the heat or cold, the creek used for drinking water is the same used as a latrine by the camp's entire population, and, on top of all this, there's a vicious gang of marauding prisoner's that prey on their weaker counterparts, taking their clothing and what little food they may have for themselves. I began watching this film expecting a smaller, tamer, less original version of "The Shawshank Redemption", and at several points you'll think likewise: we witness acts of both harsh brutality and stirring compassion, and follow our hero's as they decline physically and struggle to succeed morally. But the period setting and the freshness of the subject make it appealing more often than not. What's interesting about this big-budget, well-hyped production, though, is that the entire cast are relative unknowns, the lead role being held by a young Broadway actor named Jarrod Emick, who's acting demonstrates he is just that: a Broadway actor. He projects his voice and over-emphasizes words as though onstage, and when a dramatic monologue is in order, his facial contortions rival the worst case of constipation one can imagine. The length of "Andersonville" is a problem, as after awhile it just runs out of stuff to say, and appears to be chipping away at the minutes until the conclusion. After all, how many scenes can one sit through of watching deteriorating men rot away in sheets of rain or stifling holes in the ground . . . look for a deliciously vicious role by Frederick Coffin as the evil prison gang's leader, and William Sanderson as his cowardly right hand man. There's also a small role by William H. Macy as a Confederate prison inspector who discovers the camp's horrors and condemns it . . . great score by Gary Chang.
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