Tom (Mantega) and Jerry (Chaykin) are experienced hit men waiting in a bar for a phone call to do their next job who currently is tied up before them. We then jump back 10 years to find a much younger Jerry and Tom, and we trace their development throughout the years.
And that's the plot. There isn't a huge amount of plot here but plenty of story if you appreciate the difference. The story follows Jerry from a car salesman who gets accidentally involved in his first hit, through the years as he develops more and more of a taste for the killing, while Tom is heading the other way as the more mature hit man who is losing his taste for the whole thing. However the thin plot is greatly enriched by making the characters the story.
Of the two leads Jerry is the most interesting to watch as he changes the most notably over the film, but Mantegna's Tom is as good as a more stable foil for Jerry. The strength is in the wealth of wonderful characters that surround them. The various victims all have their amusing quirks and are well played by good actors (William H Macy, Ted Danson, Peter Riegert), while other supporting roles such as Vic and Billy (Durning and Chaykin) are great.
The whole story is bristling with comedy and style. The stories the characters tell and the things they say are brilliant, including flashback stories of Elvis, JFK and others are really funny, while other conversations (such as who play them in a movie - "Don Knotts!") are inspired in their hilarity but also their normality.
The director Saul Rubinek is very clever in his direction. We skip through time to other stories using editing that gently glides one scene into another - it's really effective and always clever. In fact he brings clever touches to all the film. Even the closing credit sequences have a wonderful old-fashioned feel to them as each character appears onscreen to wave to the audience - it's also a bit surreal given what we've just watched. I also admire the way that very little violence is show on screen - because that's not what this is about. The killing is often hinted at rather than shown and this allows us to focus on the stories and the comedy rather than the moral difficulty behind what you're seeing.
The film is funny throughout but it does have it's thoughtful moments and the conclusion is actually quite moving. The only faults with this is that the hit man genre is not exactly new ground and this type of story has been done before. Also some may find the lack of plot to be frustrating or boring and find themselves unable to enjoy the stories within.
Overall though, this is a light little gem that draws it's comedy from the stories and the characters within the film. This is filled with clever and funny touches from the opening bar scene right down to the old-fashioned credit scene and Danson's accreditation as "man who loved Vicki".
And that's the plot. There isn't a huge amount of plot here but plenty of story if you appreciate the difference. The story follows Jerry from a car salesman who gets accidentally involved in his first hit, through the years as he develops more and more of a taste for the killing, while Tom is heading the other way as the more mature hit man who is losing his taste for the whole thing. However the thin plot is greatly enriched by making the characters the story.
Of the two leads Jerry is the most interesting to watch as he changes the most notably over the film, but Mantegna's Tom is as good as a more stable foil for Jerry. The strength is in the wealth of wonderful characters that surround them. The various victims all have their amusing quirks and are well played by good actors (William H Macy, Ted Danson, Peter Riegert), while other supporting roles such as Vic and Billy (Durning and Chaykin) are great.
The whole story is bristling with comedy and style. The stories the characters tell and the things they say are brilliant, including flashback stories of Elvis, JFK and others are really funny, while other conversations (such as who play them in a movie - "Don Knotts!") are inspired in their hilarity but also their normality.
The director Saul Rubinek is very clever in his direction. We skip through time to other stories using editing that gently glides one scene into another - it's really effective and always clever. In fact he brings clever touches to all the film. Even the closing credit sequences have a wonderful old-fashioned feel to them as each character appears onscreen to wave to the audience - it's also a bit surreal given what we've just watched. I also admire the way that very little violence is show on screen - because that's not what this is about. The killing is often hinted at rather than shown and this allows us to focus on the stories and the comedy rather than the moral difficulty behind what you're seeing.
The film is funny throughout but it does have it's thoughtful moments and the conclusion is actually quite moving. The only faults with this is that the hit man genre is not exactly new ground and this type of story has been done before. Also some may find the lack of plot to be frustrating or boring and find themselves unable to enjoy the stories within.
Overall though, this is a light little gem that draws it's comedy from the stories and the characters within the film. This is filled with clever and funny touches from the opening bar scene right down to the old-fashioned credit scene and Danson's accreditation as "man who loved Vicki".