Sometimes overly poetic in its gardening parallels, this story of a young man who returns to home after a number of years is intense, mysterious, and certainly not lacking in style. In a unique mixture of flashback fantasy sequences, where characters in the past actually interact with those in the present, we see an overweight teenager come to grips with his homosexuality and the returning adult come to grips with his childhood self.
This is an amazing directorial debut, and the abundance of cinematic tricks are a welcome storytelling tool. Virgin Mary Icons smile at us; a grown man witnesses the suicide he committed in his youth.
The director chooses not to draw thick boundaries around the sexuality of his characters, but doesn't fall into the trap of making them frustratingly ambiguous. Often this leaves the sour aftertaste of homophobia.
The mysterious final chapter closes without the pomp and glory that more established directors might have resorted to. It's subtlety complements its outlandishness in a way that doesn't leave you confused.
This is an amazing directorial debut, and the abundance of cinematic tricks are a welcome storytelling tool. Virgin Mary Icons smile at us; a grown man witnesses the suicide he committed in his youth.
The director chooses not to draw thick boundaries around the sexuality of his characters, but doesn't fall into the trap of making them frustratingly ambiguous. Often this leaves the sour aftertaste of homophobia.
The mysterious final chapter closes without the pomp and glory that more established directors might have resorted to. It's subtlety complements its outlandishness in a way that doesn't leave you confused.