Michael Moore must have seen this movie. This is Bowling for Columbine, dark and hopeless early 80s style. No humour here, just a dystopia view of an ugly, violent, dysfunctional America going down in flames, loosely connected through a sprawling narrative, and fueled by amazing archive footage.
Sensitive viewers be warned. There are plenty of ghastly sequences and photographs here. Some, no, lots of completely horrible stuff that will make you cringe.
While Moore aims at amusing us as he hammers away on his message, The Killing of America goes straight for shock value. The narrative seems to exist primarily as an excuse for showing a lot of violent images. The message never goes beyond "Look at all the violence. Something must be wrong with America". While true enough, this is hardly Pulitzer stuff.
But it is not message that makes this movie interesting. It is the fantastic collection of archive footage that the filmmakers have managed to scrape together. With the risk of appearing warped, I must admit that this is truly fascinating stuff. You'll find news footage here of riots, assassinations of political figures, sniper mass murderers etc. that is rarely shown anywhere.
I have long been fascinated by American contemporary history and politics, and in that vein, I find this movie unmissable. The three segments showing the JFK assassination from different angles alone make it worth watching. I have never really doubted that Oswald was the only assassin before, but now...let's just say I'll leave a little room for speculation. Just a tiny little bit.
Those interested in the phenomena of mass or serial killers will also get their fill of material here. A large segment of the film is dedicated to this, including court footage of Ted Bundy and an interview with Edward Kemper. Both seem earily "normal". Isn't that more scary than if they were ranting lunatics? An audio tape, seemingly real, of Jim Jones admonishing his disciples to take their own lives more willingly, without complaining so much, is another complete hairraiser.
While obviously taken out of context and thrown together in order to create a slanted image of what was going on during the 1960s and 1970s, many of the scenes in this movie rightly show us a different America than the one we recognize from mainstream media.
This is not the whole truth. But it is a small part, an evil, shadowy part. The Killing of America desensitizes recent history. And as such, it is essential.
Sensitive viewers be warned. There are plenty of ghastly sequences and photographs here. Some, no, lots of completely horrible stuff that will make you cringe.
While Moore aims at amusing us as he hammers away on his message, The Killing of America goes straight for shock value. The narrative seems to exist primarily as an excuse for showing a lot of violent images. The message never goes beyond "Look at all the violence. Something must be wrong with America". While true enough, this is hardly Pulitzer stuff.
But it is not message that makes this movie interesting. It is the fantastic collection of archive footage that the filmmakers have managed to scrape together. With the risk of appearing warped, I must admit that this is truly fascinating stuff. You'll find news footage here of riots, assassinations of political figures, sniper mass murderers etc. that is rarely shown anywhere.
I have long been fascinated by American contemporary history and politics, and in that vein, I find this movie unmissable. The three segments showing the JFK assassination from different angles alone make it worth watching. I have never really doubted that Oswald was the only assassin before, but now...let's just say I'll leave a little room for speculation. Just a tiny little bit.
Those interested in the phenomena of mass or serial killers will also get their fill of material here. A large segment of the film is dedicated to this, including court footage of Ted Bundy and an interview with Edward Kemper. Both seem earily "normal". Isn't that more scary than if they were ranting lunatics? An audio tape, seemingly real, of Jim Jones admonishing his disciples to take their own lives more willingly, without complaining so much, is another complete hairraiser.
While obviously taken out of context and thrown together in order to create a slanted image of what was going on during the 1960s and 1970s, many of the scenes in this movie rightly show us a different America than the one we recognize from mainstream media.
This is not the whole truth. But it is a small part, an evil, shadowy part. The Killing of America desensitizes recent history. And as such, it is essential.