I always have time for films that dare to be different and that faith was stretched to the limits with CTHD. The story is set in feudal China and centres around an ancient (even then!) sword that is stolen by person(s) unknown.
Real star of the show is Ziyi Zhang who comes across as a kind of young female Bruce Lee, although somewhat aided by the ability to defy gravity - director Ang's claims that she could not fly, but perform great leaps and falls!
(Sorry Lee - I know flying when I see it!)
The film starts with a murky and talky set-up that introduce us to the three principle characters played by Chow Yun Fat, Ziyi Zhang and Michelle Yeoh. From their talk-talk it seems they have all acquired mystical living and fighting skills although I would not be like to explain the full in-and-outs of it!
Thankfully the silly talking stops and movie starts to kick-off in earnest when Zhang is kidnapped on the way to her marriage of convenience. This is where the film really works (as an action movie) and indeed some of the set pieces are classics, although aided and abetted by skilful fly-by-wire work.
I don't understand is why the script wasn't re-written to make the characters background clearer, their skills highlighted (is Zhang hitting with normal powers for someone of her height/weight or superhuman powers?) and then get the whole show on the road earlier. Maybe I missed a few things while dozing through the slow opening, but I could have done with a bit more help with what follows.
The actors all put in solid performances, although only the doll-faced Zhang climbs above the script. Fat seems to be billed as star of the show - perhaps because he is the only recognised actor - but he features only in passing. Equally curious is that his love for stunt-happy Yeoh seems understated, but perhaps that is the Oriental way?
Plenty of plus points for having strong females characters that hold their own in all aspects of life, but the mystical soup doesn't deliver anything like the classic some people think they are seeing. The real battle in this movie fights isn't between good and evil, it is between sense and silliness. Sense wins wins in the end, but it is a close call...
Real star of the show is Ziyi Zhang who comes across as a kind of young female Bruce Lee, although somewhat aided by the ability to defy gravity - director Ang's claims that she could not fly, but perform great leaps and falls!
(Sorry Lee - I know flying when I see it!)
The film starts with a murky and talky set-up that introduce us to the three principle characters played by Chow Yun Fat, Ziyi Zhang and Michelle Yeoh. From their talk-talk it seems they have all acquired mystical living and fighting skills although I would not be like to explain the full in-and-outs of it!
Thankfully the silly talking stops and movie starts to kick-off in earnest when Zhang is kidnapped on the way to her marriage of convenience. This is where the film really works (as an action movie) and indeed some of the set pieces are classics, although aided and abetted by skilful fly-by-wire work.
I don't understand is why the script wasn't re-written to make the characters background clearer, their skills highlighted (is Zhang hitting with normal powers for someone of her height/weight or superhuman powers?) and then get the whole show on the road earlier. Maybe I missed a few things while dozing through the slow opening, but I could have done with a bit more help with what follows.
The actors all put in solid performances, although only the doll-faced Zhang climbs above the script. Fat seems to be billed as star of the show - perhaps because he is the only recognised actor - but he features only in passing. Equally curious is that his love for stunt-happy Yeoh seems understated, but perhaps that is the Oriental way?
Plenty of plus points for having strong females characters that hold their own in all aspects of life, but the mystical soup doesn't deliver anything like the classic some people think they are seeing. The real battle in this movie fights isn't between good and evil, it is between sense and silliness. Sense wins wins in the end, but it is a close call...