10/10
images as poetry, music as dialog
1 October 2003
I enjoyed this movie, much more than I thought I would reading the synopsis of the story. I was caught up by this meditation on human spirit.

The cinematography created one stunning image after another, carried along by one of the most beautiful soundtracks that I have heard.

Two couples, sharply contrasted; one couple told you everything about themselves, while the other revealed only what could not be hidden: Susie and Caesar were stoical, passive, watching, and waiting....as a catastrophic moment in history enveloped them.

It seemed to me that the director purposely expected the viewer to participate in the story, using imagination and wonder to ponder the unanswered questions about human nature and need.

The ending of the film was a bit too abrupt. I would have loved to have seen more development leading up to the resolution of Susie's journey. But it certainly didn't mar the film for me, rather it emphasized why 'The Man Who Cried' was so completely non-commercial and why it mystified and therefore angered the 'connect-the-dots' crowd.

If you are in the mood for a beautiful, lyrical, non-linear poem-film, give this one a try.
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