To reply to D.Smyth's post, yes, the film might make some use of war clichés, but given that the original 1919 film did as well, it seems to be keeping honest to the source material. The battalion was historically a diverse one, and while we've seen the type before in war films, I didn't find the film's portrayal to be so terribly clichéd as to detract from its authenticity or enjoyment.
Also, regarding the goofs D.Smyth points out, the zippo indeed is post-WWI (early '30s); however, it was based on an earlier, Austrian design, which may have been the basis for what shows up in the film.
Also, I'm not sure what his basis is for "o'clock" not existing until twenty years later; to give just one example that contradicts it, Ford Madox Ford references the system twice in his poem "On October, 1914 (Antwerp)" ("This is Charing Cross; / It is one o'clock. ... / This is Charing Cross; it is past one of the clock;"), which was published in 1918.
-nqr
Also, regarding the goofs D.Smyth points out, the zippo indeed is post-WWI (early '30s); however, it was based on an earlier, Austrian design, which may have been the basis for what shows up in the film.
Also, I'm not sure what his basis is for "o'clock" not existing until twenty years later; to give just one example that contradicts it, Ford Madox Ford references the system twice in his poem "On October, 1914 (Antwerp)" ("This is Charing Cross; / It is one o'clock. ... / This is Charing Cross; it is past one of the clock;"), which was published in 1918.
-nqr