A young man of apparently limited abilities finds himself living in a retirement home, unwittingly showing how being smart ain't all it's cracked up to be and being "slow" isn't the worst handicap in the world.
As someone who has worked for years with folks who qualify for Special Olympics (and been soundly beaten at bowling with them on more than one occasion, I might add) I found Christopher Lambert's portrayal realistic and truly touching. I've enjoyed his quiet subtlety in the Highlander series, and here I found myself smiling again and again as he captured the details, the movements, exactly the right tones in showing us this man Gideon. A great performance, I believe, and it makes me want to know more about Lambert--especially considering his role as producer of this film.
The film has a stellar ensemble cast with nothing but A-level performances from each, but I could never find my way past the shallow portrayal of life in a retirement home--every person, even the depressed, bright-eyed, every room highly personalized. I kept waiting for Ward and June Cleaver to show up. This place doesn't smell like any "retirement" home I've ever been in, and I've been quite a few over the years. The failure to establish a credible "world" made it impossible for me to accept the story, and this limitation was only supported by the extremely one-dimensional nature of the characters. An ex-boxer? Well, he doesn't read, he just practices shadow boxing in his room.
In all, it's a film I'm glad I saw, but can't imagine sitting through it twice.
As someone who has worked for years with folks who qualify for Special Olympics (and been soundly beaten at bowling with them on more than one occasion, I might add) I found Christopher Lambert's portrayal realistic and truly touching. I've enjoyed his quiet subtlety in the Highlander series, and here I found myself smiling again and again as he captured the details, the movements, exactly the right tones in showing us this man Gideon. A great performance, I believe, and it makes me want to know more about Lambert--especially considering his role as producer of this film.
The film has a stellar ensemble cast with nothing but A-level performances from each, but I could never find my way past the shallow portrayal of life in a retirement home--every person, even the depressed, bright-eyed, every room highly personalized. I kept waiting for Ward and June Cleaver to show up. This place doesn't smell like any "retirement" home I've ever been in, and I've been quite a few over the years. The failure to establish a credible "world" made it impossible for me to accept the story, and this limitation was only supported by the extremely one-dimensional nature of the characters. An ex-boxer? Well, he doesn't read, he just practices shadow boxing in his room.
In all, it's a film I'm glad I saw, but can't imagine sitting through it twice.