Not a bad thriller, but since it doesn't appear in the credits, on screen or here, it may be of interest that the story, including the twist ending, was lifted directly from a 1985 Mexican/US joint production called TO KILL A STRANGER. The scene has been shifted from Eastern Europe to (apparently) New York and the character of the victim/heroine has been heavily reworked, but the essential shape of the plot remains identical. The details of the child custody conflict have been added to create a barrier between the protagonist and the otherwise likable cops (in the original, the barrier is political). Fairly well acted, and this movie gives Alexandra Paul a chance to work a full menu of emotions. But her boyfriend seems pretty boring.
