is whether it can withstand a subsequent viewing. Zero Efect does. The only tragedy concerning this uniquely styled mystery will be if its Director (Jake Kasden) and scriptwriters never produce a sequel.
In TV reviews this film is accurately billed as a - wickedly quirky detective comedy thriller. It is safe to say the old cliché they-don't-make-them-like-that-anymore applies, and in truth, they probably never made them like this beforehand either! The one resemblance to other filmmakers work is that there is a Coen-esquire; vibe to it. A true compliment indeed.
Usually, American movies often high on gloss, glitter and noise lack the essential ingredient that compels viewers to become completely engrossed: that of depth. Or more precisely, the hook is depth and complexity. Here, offbeat quirkiness provides the humour. A non-format story pans out to provide novelty. A moderately paced detective story throws up one surprising twist after another, backed musically where appropriate to support the flawlessly acted evolution of an ever-deepening plot. All of which combine to unravel a charming, cogent mystery.
The problem this finely balanced inventive film creates is that by comparison it brings home the paucity of run-of-the-mill who-dun-its. Given the summary above Zero Effect, and films of this ilk, may prove more suited to European than American audiences. Films that make the viewer do some work ultimately tend to be the most absorbing and successful (e.g. recall - The Usual Suspects).
The five central characters each achieve the professional actors quest of being thoroughly and seamlessly believable, subtly injecting humour, pathos, unpredictability and sensitivity. You can easily empathise with them as their characterisations play out. Kasden's film excels as what must be the definitive comical mystery in all respects, perhaps setting the benchmark for future detective films to surpass.
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In TV reviews this film is accurately billed as a - wickedly quirky detective comedy thriller. It is safe to say the old cliché they-don't-make-them-like-that-anymore applies, and in truth, they probably never made them like this beforehand either! The one resemblance to other filmmakers work is that there is a Coen-esquire; vibe to it. A true compliment indeed.
Usually, American movies often high on gloss, glitter and noise lack the essential ingredient that compels viewers to become completely engrossed: that of depth. Or more precisely, the hook is depth and complexity. Here, offbeat quirkiness provides the humour. A non-format story pans out to provide novelty. A moderately paced detective story throws up one surprising twist after another, backed musically where appropriate to support the flawlessly acted evolution of an ever-deepening plot. All of which combine to unravel a charming, cogent mystery.
The problem this finely balanced inventive film creates is that by comparison it brings home the paucity of run-of-the-mill who-dun-its. Given the summary above Zero Effect, and films of this ilk, may prove more suited to European than American audiences. Films that make the viewer do some work ultimately tend to be the most absorbing and successful (e.g. recall - The Usual Suspects).
The five central characters each achieve the professional actors quest of being thoroughly and seamlessly believable, subtly injecting humour, pathos, unpredictability and sensitivity. You can easily empathise with them as their characterisations play out. Kasden's film excels as what must be the definitive comical mystery in all respects, perhaps setting the benchmark for future detective films to surpass.
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