Ronit Elkabetz has a tendency for extravagant characters and in this film portrays yet another. Her loveless marriage in shambles, her old lover back in Israel, she stumbles from one situation to the next as if under no power of her own. Her husband, her children, her neighbors, her lover -- they all seem more like obstacles in her path toward self-actualization than characters she feels anything for.
The narrative is awkward and confused, the characters seem to lack any particular drive, but it still all kind of pulls together because of the emotional immediacy created by explosive bursts from various characters well-captured by the camera in close-up.
While I can't say I thought it was a very good film, it's definitely interesting. If Shlomi and Ronit Elkabetz can tighten up their storytelling, their next work should be truly unique.
The narrative is awkward and confused, the characters seem to lack any particular drive, but it still all kind of pulls together because of the emotional immediacy created by explosive bursts from various characters well-captured by the camera in close-up.
While I can't say I thought it was a very good film, it's definitely interesting. If Shlomi and Ronit Elkabetz can tighten up their storytelling, their next work should be truly unique.