This presentation is original and clever; very nicely twisted from the Rashamon perceptions of several disparate pasts. As usual, Woody is very perceptive and a master of dialog, especially in fracturing relationships.
I noted that the "comedy" writer was heavily focused on the tragic elements of his plot line, while the "tragedy" writer saw little humor in his plot line. Actually, the 2 writers did not seem to differ very much at all in their views. It does not appear that Woody finds life very humorous. Rather, he finds humorous elements in mundane and sad events.
More obviously, most of the characters sound just like Woody. The comedy writer might as well have been Woody and Will Ferrell is a Woody stand-in. Several of the others, including the women, had numerous "Woody" moments. It seems like the actors and even the screen are interfering with Woody's attempts to present his art. Unlike other directors who expect the actors to climb into the characters, Woody seems to ask the actors to stand still while he paints them as the characters. Would he prefer to simple do a monologue?
I noted that the "comedy" writer was heavily focused on the tragic elements of his plot line, while the "tragedy" writer saw little humor in his plot line. Actually, the 2 writers did not seem to differ very much at all in their views. It does not appear that Woody finds life very humorous. Rather, he finds humorous elements in mundane and sad events.
More obviously, most of the characters sound just like Woody. The comedy writer might as well have been Woody and Will Ferrell is a Woody stand-in. Several of the others, including the women, had numerous "Woody" moments. It seems like the actors and even the screen are interfering with Woody's attempts to present his art. Unlike other directors who expect the actors to climb into the characters, Woody seems to ask the actors to stand still while he paints them as the characters. Would he prefer to simple do a monologue?