A saccharine little comedy, with ooey-gooey sweetness dripping from it's pores, about how Long returns from the dead and finds life a mess.
The film sets her up as a plain-Jane housewife, with a cardboard doctor of a husband, and a son ready for college. Feeling at a loss of what to do with the rest of her days, she does the most interesting thing she can: she dies. Fortunately, her nutcase sister is a pseudo-witch doctor who "chants" her back to life. Only for Long to be hounded by the media and jilted by her husband. It's all handled so tamely, so TV-movie-like that it could qualify for MST3K showings.
Hard up for laughs, Long is written as a klutz, who trips, falls, spills, slides, and even at one point, undresses herself while trying to walk stairs. Her new love interest is a lifeless doctor who smiles at her maybe twice in the film, yet somehow falls for her. Throw in a melodramatic, over-baked finish, and you have a real eye roller. But what might be the clincher are just some of the shots used. Director Perry has people walking arm in arm and laughing gleefully, while entering rooms, or adjourning from others. Or they jack up the saxophone score on Long's "me so cute" smile, and even add a head tilt for Byrne's predictable, "I love you. " The ultimate pile of sugar is during the end credits, as a photo album is thumbed through. Pictures of all three lead couples, getting married, getting pregnant, and then posing with their babies. And Long is even blessed with twins! Then a male hand puts his on a female hand oh so sweetly as they look at the pictures. Please. Talk about redefining "And they lived happily ever after".
The film sets her up as a plain-Jane housewife, with a cardboard doctor of a husband, and a son ready for college. Feeling at a loss of what to do with the rest of her days, she does the most interesting thing she can: she dies. Fortunately, her nutcase sister is a pseudo-witch doctor who "chants" her back to life. Only for Long to be hounded by the media and jilted by her husband. It's all handled so tamely, so TV-movie-like that it could qualify for MST3K showings.
Hard up for laughs, Long is written as a klutz, who trips, falls, spills, slides, and even at one point, undresses herself while trying to walk stairs. Her new love interest is a lifeless doctor who smiles at her maybe twice in the film, yet somehow falls for her. Throw in a melodramatic, over-baked finish, and you have a real eye roller. But what might be the clincher are just some of the shots used. Director Perry has people walking arm in arm and laughing gleefully, while entering rooms, or adjourning from others. Or they jack up the saxophone score on Long's "me so cute" smile, and even add a head tilt for Byrne's predictable, "I love you. " The ultimate pile of sugar is during the end credits, as a photo album is thumbed through. Pictures of all three lead couples, getting married, getting pregnant, and then posing with their babies. And Long is even blessed with twins! Then a male hand puts his on a female hand oh so sweetly as they look at the pictures. Please. Talk about redefining "And they lived happily ever after".