I had no experience with Turkish or any Middle Eastern cinema before seeing this, and it made me want to see more films from this part of the world. It is essentially a travelogue with completely separate stories of several men and their encounters in various parts of Turkey during temporary furlough from a government prison. For example, one of these men is a Kurd, and another wants to take possession of his wife who disgraced him by having an affair while he was away in prison. All of these story lines remain completely separate throughout the film, and it is in this peculiar structure (different from an American movie like "Magnolia", where the stories interconnect in some way) where the film's greatest strength and weakness lie. The strength is that this is a great way for a Westerner like myself to get a good overall introduction to several aspects of Turkish society. The weakness is that the first half of the film is exceedingly difficult to follow; we never get a chance to know any of these characters, because the director constantly cuts from one storyline to the next, which caused me great confusion.
Despite the flaws, directors Goren and Guney display a true film-making talent here. This is one of the harshest movies I have ever seen, on a par with other films like "Pixote" in its unflinching brutality. These two directors have portrayed 1980s Turkey under a military dictatorship as a true hell on earth - a society stuck in the Middle Ages and obsessed with rigid, archaic, sometimes brutal Islamic customs.
With its muckraking tone, I doubt this film has ever been shown in even a comparatively free Arab country. I also imagine this will be a particularly difficult film to watch for women, as the traditional Islamic punishment for female infidelity is presented quite graphically. There are several agonizing scenes that remain frozen in my mind - especially one in which one of these prisoners must journey on foot with his wife and son through an isolated arctic wasteland. It is in scenes like this during the second half where the movie becomes truly involving. These scenes are so exceptional that it made me disappointed that this film wasn't better than it is; it had the real potential to be a masterpiece, but took too many amateurish missteps. Luckily, the missteps were not for lack of ambition.
Despite the flaws, directors Goren and Guney display a true film-making talent here. This is one of the harshest movies I have ever seen, on a par with other films like "Pixote" in its unflinching brutality. These two directors have portrayed 1980s Turkey under a military dictatorship as a true hell on earth - a society stuck in the Middle Ages and obsessed with rigid, archaic, sometimes brutal Islamic customs.
With its muckraking tone, I doubt this film has ever been shown in even a comparatively free Arab country. I also imagine this will be a particularly difficult film to watch for women, as the traditional Islamic punishment for female infidelity is presented quite graphically. There are several agonizing scenes that remain frozen in my mind - especially one in which one of these prisoners must journey on foot with his wife and son through an isolated arctic wasteland. It is in scenes like this during the second half where the movie becomes truly involving. These scenes are so exceptional that it made me disappointed that this film wasn't better than it is; it had the real potential to be a masterpiece, but took too many amateurish missteps. Luckily, the missteps were not for lack of ambition.