It's good to see so many who appreciate this comedy. I meet few who've seen it, anyone who has loves it and the rest, obviously, haven't seen it. Many here love it which is great, one making ambiguous suggestions to a dislike of it, but with no real depth to the reasons why. Id like to talk about the opposing reasons of what they could have said. I think this is muchly Noel and Julian's personal SOH and I think that that is great because they have really good SOH. I have a similar SOH and so enjoy it. A good alternative comedy should not be written with the masses in mind, and just because you may not understand the humour, that doesn't make it weak. Id never call any comedy weak, especially not because it is the writer's own humour. Do you think all stand up comedians are acting? No. Some do, but most gather information of things they find funny in there daily lives and use them. It is up to the audience as to whether or not their upbringing brought them to this moment in time where they find it funny. I personally think its the best kind of comedy. And if you don't, so be it. I don't like "Bo Selecta" very much, but id never call it weak. I just know that its just not my SOH. I have seen Noel do stand up and think he's great. Fantastical and childlike, with almost infinite energy and ideas.
I am not a big fan of progression either, musical or comical, I think genius can come from anywhere, at any time. The key is originality. We all know that "Friends" being the number one comedy based on the public doesn't make it the funniest or most clever comedy in what I call "The Real World." Something else I've noticed, and I don't mean to sound arrogant, is that the "scally" culture just don't get The Boosh. Probably because it's weird and dark, and the jokes aren't always spelled out for you in brightly coloured letters. It is suited more to "real" music fans, artists, poets and those of an alternative nature.
I think Noel and Julian are very clever, with many other great inputs and inspirations from the likes of Steve Coogan (producer)(Alan Partridge), Matt Berry (Dixon Bainbridge) and Richard Ayoade (Saboo) (Garth Marenghi's Darkplace), Nicholas Burns (The King)(C**t, Nathan Barley) and they have both worked with Chris Morris (Brass Eye, The Day Today, Big Train, Jam) on Nathan Barley.
I believe this comedy, particularly the first series, to be rich in word play and a clever use of language. The use of sets and props is well thought out, artistically, minimally and budget-wise, it's also different and humble. The ideas of such extreme, deep and diverse characters is almost astounding at times, if not for its light heartedness. The jokes vary in style, like "oh yeah the double bluff gag" or "oh yeah they blatantly stupid and weird gag" a lot, and such crammed word wizardry makes it a feast of surreal munchery. The best thing is that they know that some things are funnier if they're said differently. Like everyone knows that "You S**gs" is funnier said in a cockney accent than a Cumbrian one. They also use timing, delivery and camera work to the best they can be. The music. How can you not mention the music they obviously have good musical ability. They are catchy songs, varying in style with each one, including brilliant lyrics. To do one in every episode is very special.
I would compare it more to the young ones, if I had to, rather than R&M. Mainly because it is a sitcom and although TMB is less slapstick, the central points of the subjects are similar, for example the alternative lifestyle and the thoughts and feelings that come with that, and obviously the characters like animals and weird people are similar too.
I've said a lot, if you've even got this far! That's because I was so impressed and wanted to tell people who are considering watching it. Its now my second favourite comedy, behind "Spaced" and just before "Family Guy" and "Alan Partridge."
I loved this programme as I relate to it and think it is very, very clever. You might too.
A step too far? Maybe, if you're wanting to stay put, if not, Come with us now on a journey through time and space, to the world of the Mighty Boosh. And love it.
I am not a big fan of progression either, musical or comical, I think genius can come from anywhere, at any time. The key is originality. We all know that "Friends" being the number one comedy based on the public doesn't make it the funniest or most clever comedy in what I call "The Real World." Something else I've noticed, and I don't mean to sound arrogant, is that the "scally" culture just don't get The Boosh. Probably because it's weird and dark, and the jokes aren't always spelled out for you in brightly coloured letters. It is suited more to "real" music fans, artists, poets and those of an alternative nature.
I think Noel and Julian are very clever, with many other great inputs and inspirations from the likes of Steve Coogan (producer)(Alan Partridge), Matt Berry (Dixon Bainbridge) and Richard Ayoade (Saboo) (Garth Marenghi's Darkplace), Nicholas Burns (The King)(C**t, Nathan Barley) and they have both worked with Chris Morris (Brass Eye, The Day Today, Big Train, Jam) on Nathan Barley.
I believe this comedy, particularly the first series, to be rich in word play and a clever use of language. The use of sets and props is well thought out, artistically, minimally and budget-wise, it's also different and humble. The ideas of such extreme, deep and diverse characters is almost astounding at times, if not for its light heartedness. The jokes vary in style, like "oh yeah the double bluff gag" or "oh yeah they blatantly stupid and weird gag" a lot, and such crammed word wizardry makes it a feast of surreal munchery. The best thing is that they know that some things are funnier if they're said differently. Like everyone knows that "You S**gs" is funnier said in a cockney accent than a Cumbrian one. They also use timing, delivery and camera work to the best they can be. The music. How can you not mention the music they obviously have good musical ability. They are catchy songs, varying in style with each one, including brilliant lyrics. To do one in every episode is very special.
I would compare it more to the young ones, if I had to, rather than R&M. Mainly because it is a sitcom and although TMB is less slapstick, the central points of the subjects are similar, for example the alternative lifestyle and the thoughts and feelings that come with that, and obviously the characters like animals and weird people are similar too.
I've said a lot, if you've even got this far! That's because I was so impressed and wanted to tell people who are considering watching it. Its now my second favourite comedy, behind "Spaced" and just before "Family Guy" and "Alan Partridge."
I loved this programme as I relate to it and think it is very, very clever. You might too.
A step too far? Maybe, if you're wanting to stay put, if not, Come with us now on a journey through time and space, to the world of the Mighty Boosh. And love it.