I found this movie interesting for two reasons: 1) I love historical epics 2) It was so surprisingly awful in spots for such a great cast and obviously large budget.
There was some good acting here, but it seems everyone had some really bad moments in front of the camera. This is probably the first movie I've seen were Alec Guinness (as Marcus Aurelius) is just awful. His portrayal of a dying Caesar is lifeless (pun intended) and flat. His character was totally lacking the charisma one might expect from a great caesar. The scene of him greeting the representatives of the Roman provinces seems to last any eternity, seeming to even strain Alec Guinness' attention span.
James Mason on the most part was good, but even his acting was rather comical in the scene in which he is being tortured/tested by the Barbarians in a cave.
Christopher Plummer and Stephen Boyd, as Commodus and Livius, are both unintentionally comical (I think) in their early scenes together, especially in the scenes were they are reunited after an apparently long separation. The scenes were meant to show their long standing friendship since childhood, but instead it looks like two 30 year olds acting as 14 year olds. Stephen Boyd is fairly pan-faced throughout the movie, however, Christopher Plummer's performance at least gets more interesting as the movie progresses.
The dialog between Sophia Loren, as Lucilla, and Stephen Boyd was stilted and lacking the real emotion of lovers. At least Plummer was capable of extracting some passion out of Boyd in their scenes together.
As far as production/direction/editing, they obviously had plenty of film at their disposal, as there frequently were long drawn out scenes of inconsequential marching, parades, etc (or perhaps I'm just use to the MTV-age quick cutting). The musical score was almost comical, as highly dramatic scenes would be underscored by fairly light-hearted music. And why do all the Barbarians look like they have yellow mops on their heads? And why do they look like cavemen? Overall, however, somehow this movie held my attention, both for the story it had to tell and for how awe-inspiringly bad it is for such a grand spectacle.
There was some good acting here, but it seems everyone had some really bad moments in front of the camera. This is probably the first movie I've seen were Alec Guinness (as Marcus Aurelius) is just awful. His portrayal of a dying Caesar is lifeless (pun intended) and flat. His character was totally lacking the charisma one might expect from a great caesar. The scene of him greeting the representatives of the Roman provinces seems to last any eternity, seeming to even strain Alec Guinness' attention span.
James Mason on the most part was good, but even his acting was rather comical in the scene in which he is being tortured/tested by the Barbarians in a cave.
Christopher Plummer and Stephen Boyd, as Commodus and Livius, are both unintentionally comical (I think) in their early scenes together, especially in the scenes were they are reunited after an apparently long separation. The scenes were meant to show their long standing friendship since childhood, but instead it looks like two 30 year olds acting as 14 year olds. Stephen Boyd is fairly pan-faced throughout the movie, however, Christopher Plummer's performance at least gets more interesting as the movie progresses.
The dialog between Sophia Loren, as Lucilla, and Stephen Boyd was stilted and lacking the real emotion of lovers. At least Plummer was capable of extracting some passion out of Boyd in their scenes together.
As far as production/direction/editing, they obviously had plenty of film at their disposal, as there frequently were long drawn out scenes of inconsequential marching, parades, etc (or perhaps I'm just use to the MTV-age quick cutting). The musical score was almost comical, as highly dramatic scenes would be underscored by fairly light-hearted music. And why do all the Barbarians look like they have yellow mops on their heads? And why do they look like cavemen? Overall, however, somehow this movie held my attention, both for the story it had to tell and for how awe-inspiringly bad it is for such a grand spectacle.