Black Sabbath (1963)
7/10
Ultra stylish affair from one of Italy's finest
30 November 2005
Black Sabbath is one visually stylish flick, courtesy of one of Italy's finest; Mario Bava.

The first story, The Telephone, is light on suspense but heavy on looks. The first Giallo in color, I believe, to some extent, with sexual overtones featured very prominently. Although it only takes place in one apartment Bava's crazy color schemes work beautifully and thanks to the two stunning ladies this episode goes down very well.

The Wurdulak scores heavy because of it's visuals and it's magnificent Gothic atmosphere. This should give a good example of how Black Sunday might have looked in color. However, this episode feels stretched quite a bit, it's relatively short running time seems longer than it is and therefore, in my opinion, is the weakest of the bunch.

The Drop of Water is the final, and best, episode. Bava was fond of the kind of horror that deals with a person who's totally alone in his/her surroundings. He goes into supernatural territory and creates a highly stylish (again) and quite the scary episode.

Black Sabbath is not the best Mario Bava has to offer, it could have been more scary but thanks to studio involvement he had to keep things light and not too scary. Under such restrictions I think Bava did extremely well and Black Sabbath is most definitely a must for Bava fans.
8 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed