As a previous reviewer said Anthony Perkins did not exactly look like Frank Merriwell out on the field during the baseball scenes, but the film is about the true story of Boston Red Sox centerfielder Jimmy Piersall who sustained a nervous breakdown and then came back to have a pretty respectable major league career.
Showing the personal road Piersall took towards that breakdown is where Anthony Perkins gives one of his great film performances. This film is a lot like I'll Cry Tomorrow where Jo Van Fleet was pushing the career of her daughter Susan Hayward as Lillian Roth so she could have the success that her daughter had vicariously.
That's where the other great performance in the film comes in. Karl Malden is the baseball father, someone with the same dreams, that his son become a major league ballplayer. Malden's success involved being on his factory team, he wanted more and when he couldn't have it drove his son relentlessly to learn the skills and make the grade. But it was some price for Piersall to pay.
I remember Jimmy Piersall as a player when I was a lad. He played for the Red Sox in the years of the Casey Stengel Yankee juggernaut. He was a good contact hitter, didn't hit much for power, but played a flawless centerfield. The Red Sox in the Fifties had little to cheer about. There was a pitching staff of Mel Parnell and a bunch of nobodies. There infield was from hunger with the exception of third baseman Frank Malzone who came up in 1956 the last year Parnell played. But the outfield gave New England something to cheer about with Piersall in center, Jackie Jensen in right, and Ted Williams playing with his back to the Green Monster in left. Piersall covered so much ground in center field he made it real easy on both Williams and Jensen. The Red Sox let him go to the expansion Los Angeles Angels in 1961 where he finished his career. Still he's a Red Sox legend.
The story had been previously done on TV's Climax Theater with Tab Hunter as Piersall. In his recent memoirs Tab said that he had hoped to do the screen version. At the time he was involved in a relationship with Anthony Perkins. Unbeknownst to Hunter, Perkins lobbied and got the part in the film. That sort of put a damper on the relationship.
I also echo other reviewers in wishing that some of Piersall's teammates and others in the Red Sox organization had been portrayed. Only Joe Cronin who was the General Manager at the time is shown on the screen. Legendary owner Tom Yawkey is not portrayed and that is a pity.
Interestingly enough Piersall may have gotten his chance with the Red Sox because of Joe Cronin's racist policies. The Red Sox were the last team in the major leagues to integrate. I remember that very well when Pumpsie Green became their first black player two years after Fear Strikes Out was released.
Fear Strikes Out is unfortunately a two person show with Perkins and Malden the only really developed characters in the film. But those are two very talented persons indeed.
Showing the personal road Piersall took towards that breakdown is where Anthony Perkins gives one of his great film performances. This film is a lot like I'll Cry Tomorrow where Jo Van Fleet was pushing the career of her daughter Susan Hayward as Lillian Roth so she could have the success that her daughter had vicariously.
That's where the other great performance in the film comes in. Karl Malden is the baseball father, someone with the same dreams, that his son become a major league ballplayer. Malden's success involved being on his factory team, he wanted more and when he couldn't have it drove his son relentlessly to learn the skills and make the grade. But it was some price for Piersall to pay.
I remember Jimmy Piersall as a player when I was a lad. He played for the Red Sox in the years of the Casey Stengel Yankee juggernaut. He was a good contact hitter, didn't hit much for power, but played a flawless centerfield. The Red Sox in the Fifties had little to cheer about. There was a pitching staff of Mel Parnell and a bunch of nobodies. There infield was from hunger with the exception of third baseman Frank Malzone who came up in 1956 the last year Parnell played. But the outfield gave New England something to cheer about with Piersall in center, Jackie Jensen in right, and Ted Williams playing with his back to the Green Monster in left. Piersall covered so much ground in center field he made it real easy on both Williams and Jensen. The Red Sox let him go to the expansion Los Angeles Angels in 1961 where he finished his career. Still he's a Red Sox legend.
The story had been previously done on TV's Climax Theater with Tab Hunter as Piersall. In his recent memoirs Tab said that he had hoped to do the screen version. At the time he was involved in a relationship with Anthony Perkins. Unbeknownst to Hunter, Perkins lobbied and got the part in the film. That sort of put a damper on the relationship.
I also echo other reviewers in wishing that some of Piersall's teammates and others in the Red Sox organization had been portrayed. Only Joe Cronin who was the General Manager at the time is shown on the screen. Legendary owner Tom Yawkey is not portrayed and that is a pity.
Interestingly enough Piersall may have gotten his chance with the Red Sox because of Joe Cronin's racist policies. The Red Sox were the last team in the major leagues to integrate. I remember that very well when Pumpsie Green became their first black player two years after Fear Strikes Out was released.
Fear Strikes Out is unfortunately a two person show with Perkins and Malden the only really developed characters in the film. But those are two very talented persons indeed.