HAMOUN is a wonderful visual and sound voyage to Tehrani streets and neighborhoods, the Alborz Mountains and the Caspian seashore. To one having left Iran in 1980, the film's places, people and language were wonderfully familiar and increased my desire to return.
The manner in which people's lives have been changed since the revolution appears to be somewhat minimal. The scene in which the tea man immediately brought the glass of tea and sugar to Hamid with polite utterances to no acknowledged response shows little change from the "old days." The chador worn by Hamid's wife could be new, or not; the fact she drove alone is unchanged.
I didn't get the story, but everything else made it very worthwhile.
HAMOUN made a former rather long time US expatriate in Iran very homesick.
The manner in which people's lives have been changed since the revolution appears to be somewhat minimal. The scene in which the tea man immediately brought the glass of tea and sugar to Hamid with polite utterances to no acknowledged response shows little change from the "old days." The chador worn by Hamid's wife could be new, or not; the fact she drove alone is unchanged.
I didn't get the story, but everything else made it very worthwhile.
HAMOUN made a former rather long time US expatriate in Iran very homesick.