Jeannette MacDonald is an English woman who falls in love with her teacher (Nelson Eddy) and runs away with him to Vienna in "Bitter Sweet," a 1940 musical based on a play by Noel Coward.
Sarah (MacDonald) gets away from her family and a man she doesn't love to be with Carl (Eddy) who sings and composes. They have a hard time making ends meet but eventually start making money performing in a club. When a top producer is brought to the club to hear Carl's music, the future looks rosy. It's just an illusion.
The film was given a top-notch production in color, and Jeannette not only looks lovely but wears the most glorious gowns! I have always preferred Jeanette's acting to Nelson's and Nelson's singing to Jeanette's. Both of them sound wonderful singing Noel Coward's music, including the beautiful "I'll See You Again." For some reason, both MacDonald and Eddy had uncredited "vocal stand-ins" - I would assume these people did not sing for them but perhaps rehearsed with the musicians, because Nelson and Jeanette sounded like themselves. MacDonald's voice had a fluttery quality and her tone tended to straighten at the top, but the middle voice and lower tones sounded beautiful. And you can't beat her presence. Eddy, of course, was a magnificent singer, totally suited to the operatic stage. He just never seemed that comfortable in front of the camera.
Reminiscent of "Maytime," this is a treat for Eddy-MacDonald fans.
Sarah (MacDonald) gets away from her family and a man she doesn't love to be with Carl (Eddy) who sings and composes. They have a hard time making ends meet but eventually start making money performing in a club. When a top producer is brought to the club to hear Carl's music, the future looks rosy. It's just an illusion.
The film was given a top-notch production in color, and Jeannette not only looks lovely but wears the most glorious gowns! I have always preferred Jeanette's acting to Nelson's and Nelson's singing to Jeanette's. Both of them sound wonderful singing Noel Coward's music, including the beautiful "I'll See You Again." For some reason, both MacDonald and Eddy had uncredited "vocal stand-ins" - I would assume these people did not sing for them but perhaps rehearsed with the musicians, because Nelson and Jeanette sounded like themselves. MacDonald's voice had a fluttery quality and her tone tended to straighten at the top, but the middle voice and lower tones sounded beautiful. And you can't beat her presence. Eddy, of course, was a magnificent singer, totally suited to the operatic stage. He just never seemed that comfortable in front of the camera.
Reminiscent of "Maytime," this is a treat for Eddy-MacDonald fans.