This Rollin movie takes us into a surreal world, the cold architecture of satellite cities, with touches of 70s sci-fi from Rollerball to Rainer Erler, but nevertheless with Rollin's usual sex and gore obsessions. Several actresses had previous experience in the hardcore genre and provide gratuitous nudity, while any gore-hound will remember the suicide scene when the woman kills herself by stabbing a pair of scissors through her eyes into the brain. No, this is not a movie for the faint-hearted, but by no means a simple exploitation flick either.
Let us take a closer look at the story. Robert, a young man, drives through the night, when suddenly Elisabeth (Brigitte Lahaie) appears in front of his car. She seems confused and remembers nothing except her name and that she was trying to escape - but from where and from whom? Robert takes Elisabeth to his home, but a doctor followed them and he takes Elisabeth back to the place she ran away from - a lunatic asylum in a skyscraper. Robert has doubts that this a normal psychiatric hospital, it rather looks like a prison with the heavily armed guards. Does the doctor have a secret to hide?
This is a surprisingly quiet movie, literally. Music is often absent from the soundtrack. This stylistic means fits the situation of the mentally ill who complain about their loss of memory or lack of ability to use their limbs. Many scenes are painfully slow moving, but if you liked other movies by Rollin, you won't mind. That is setting a mood of intensity and concentration that you get into or you don't. The human touches are well done, especially the scene when Elisabeth feeds another inmate who cannot hold a spoon with her hands. Furthermore, I want to point out the memorable performance of red-haired Dominique Journet (in her first screen appearance!) as Véronique, Elisabeth's friend who tried to escape with her. When she loses the ability to speak and wanders around with empty eyes - behind which lies a scream -, such are moments of absolute horror, but in a very sophisticated way. The motif of two girls trying to survive together in a strange, hostile world, by the way, is one of the most typical for Rollin, see "Les Deux Orphelines Vampires" for example. And just like that later film, "La Nuit des Traquees" is a good movie for its low budget!
Let us take a closer look at the story. Robert, a young man, drives through the night, when suddenly Elisabeth (Brigitte Lahaie) appears in front of his car. She seems confused and remembers nothing except her name and that she was trying to escape - but from where and from whom? Robert takes Elisabeth to his home, but a doctor followed them and he takes Elisabeth back to the place she ran away from - a lunatic asylum in a skyscraper. Robert has doubts that this a normal psychiatric hospital, it rather looks like a prison with the heavily armed guards. Does the doctor have a secret to hide?
This is a surprisingly quiet movie, literally. Music is often absent from the soundtrack. This stylistic means fits the situation of the mentally ill who complain about their loss of memory or lack of ability to use their limbs. Many scenes are painfully slow moving, but if you liked other movies by Rollin, you won't mind. That is setting a mood of intensity and concentration that you get into or you don't. The human touches are well done, especially the scene when Elisabeth feeds another inmate who cannot hold a spoon with her hands. Furthermore, I want to point out the memorable performance of red-haired Dominique Journet (in her first screen appearance!) as Véronique, Elisabeth's friend who tried to escape with her. When she loses the ability to speak and wanders around with empty eyes - behind which lies a scream -, such are moments of absolute horror, but in a very sophisticated way. The motif of two girls trying to survive together in a strange, hostile world, by the way, is one of the most typical for Rollin, see "Les Deux Orphelines Vampires" for example. And just like that later film, "La Nuit des Traquees" is a good movie for its low budget!