9/10
Enjoyable, heart-warming version of the classic.
4 January 2007
Warning: Spoilers
With music from the composer of Beauty and the Beast and Aladdin, it's not hard to see why this striking reworking of the classic is such a success. I can't over-emphasise how great the music in this film is; strong, dependable themes with some of the best lyrics I've ever heard in a musical.

Visually, some of the filmmakers' decisions are very bold (the costumes of the Ghost of Christmas Past and the Ghost of Christmas Yet To Come), but it's important to remember that most of what we think of as "normal" for the ghosts' costumes in musical versions of the novel have NOTHING to do with Dickens' version anyway. In the actual book, the first Ghost is an old man; usually on film it's played as a child and Jane Krakowski's version is a fully-grown woman. In fact, this adaptation is actually MUCH closer to the book than the better-known film versions; the two children Ignorance and Want are included, and the book's religious (don't worry, it's not too heavy) and social messages are brought to the fore. The reworking of Scrooge's early life surprised me a bit, but it was very plausibly done, presumably to reflect Charles Dickens's own early experiences. Jennifer Love Hewitt is unexpectedly brilliant as Emily (though I don't get why they changed her name).

And... I was holding my breath, preparing to be appalled by the accents, but Grammar is fine. His wig is awful, but he's pretty good, and sings well. Most of the accents are brilliant, and there are lots of strong British ensemble stars such as Ruthie Henshall. The music is fab. My mum bought this for me as a possibly-ironic Christmas present, and our whole family loved it. Give it a try!
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