The late 1800's - early 1900's saw author Emile Zola turn the masses toward the intrigue of telling stories about the real and everyday lives of the common, and at those times, vial side of life. His slap at the over-acted and over-fantasized tales inspired both painter and film maker. Not surprising that director Antoine made this post WWI adaptation (one of two Zola film projects he brought to film) as he might be considered, through these vehicles, as the man who brought realism to the screen. Many constituents were opposed to this style.
Notice the barren and flat landscapes of France that rival even Kansas and Nebraska. Could there be a connection between the desolation and the characters' desperation and neediness? Check out the "ovalness" of the female characters and their over-layered manner of dress. As in many European silent films, facial expression and body language, at a premium.
The restoration version of this film has a concert-worthy, and an enchanting score with the balance of instruments such as the bass clarinet, violin, flute and percussion....beautifully recorded and synced tightly. Tres Bon!
Notice the barren and flat landscapes of France that rival even Kansas and Nebraska. Could there be a connection between the desolation and the characters' desperation and neediness? Check out the "ovalness" of the female characters and their over-layered manner of dress. As in many European silent films, facial expression and body language, at a premium.
The restoration version of this film has a concert-worthy, and an enchanting score with the balance of instruments such as the bass clarinet, violin, flute and percussion....beautifully recorded and synced tightly. Tres Bon!