The Great Santini (Jack Cassidy) is a brilliant stage magician with a hidden past. His real name is Stefan Mueller and he was an SS officer assigned to the concentration camps. Jesse Jerome (Nehemiah Persoff), his current employer, has learned of the illusionist's Nazi career and is using the information to blackmail him. One night, while ostensibly performing his celebrated trick of being locked in a steel cabinet and dowsed in a tank of water, Santini is really disguising himself as a waiter and walking unseen to Jerome's office. When Jerome turns up dead, it looks like a contract killing. But our rumpled, redoubtable Lt. Columbo (Peter Falk), assisted by the overeager Sgt. Wilson (Bob Dishy), has a few tricks of his own.
If Columbo can outmaneuver a chess champion ("The Most Dangerous Match"), out-think a scientific genius ("Mind Over Mayhem") and outwit a master spy ("Identity Crisis"), what made a master illusionist think he could do any better?
This is a splendid "Columbo" episode, with all the tricky plotting, delightful comedy and tense cat-and-mouse play that fans love. Did I mention the comedy? In the weak "Greenhouse Jungle," Bob Dishy is clearly a good actor playing a tedious character. Here he returns as Sgt. Wilson but the script by Michael Sloan is much better. Wilson's comic business, this time involving Columbo's new raincoat, is much better integrated into the plot than in "Greenhouse"—and it's much funnier.
Harvey Hart does a very nice directing job. Somebody in his crew had an excellent eye for detail. I especially like how a little water trickles out of the trap door after Santini's daughter (Cynthia Sikes) opens it.
The ending is ordinary, without one of those great thunderclap surprises, as in "A Stitch in Crime" and "Suitable for Framing." I love the final scene anyway, with Columbo's funny yet unnerving imitation of a magician's stage technique. This "Columbo" will work like magic on any fan.
If Columbo can outmaneuver a chess champion ("The Most Dangerous Match"), out-think a scientific genius ("Mind Over Mayhem") and outwit a master spy ("Identity Crisis"), what made a master illusionist think he could do any better?
This is a splendid "Columbo" episode, with all the tricky plotting, delightful comedy and tense cat-and-mouse play that fans love. Did I mention the comedy? In the weak "Greenhouse Jungle," Bob Dishy is clearly a good actor playing a tedious character. Here he returns as Sgt. Wilson but the script by Michael Sloan is much better. Wilson's comic business, this time involving Columbo's new raincoat, is much better integrated into the plot than in "Greenhouse"—and it's much funnier.
Harvey Hart does a very nice directing job. Somebody in his crew had an excellent eye for detail. I especially like how a little water trickles out of the trap door after Santini's daughter (Cynthia Sikes) opens it.
The ending is ordinary, without one of those great thunderclap surprises, as in "A Stitch in Crime" and "Suitable for Framing." I love the final scene anyway, with Columbo's funny yet unnerving imitation of a magician's stage technique. This "Columbo" will work like magic on any fan.