THE BEAT THAT MY HEART SKIPPED (Jacques Audiard - France 2005).
It's usually the other way round, but this time the French took a shot at remaking an American film, James Toback's FINGERS (1978), which starred Harvey Keitel. And the result is excellent. This riveting human drama by Jacques Audiard features an impressive performance by Romain Duris as Tom, a 28 year-old hoodlum who seems destined to follow in his father's footsteps as a property shark working in a sleazy, barely legal twilight zone of the dodgy Parisian real-estate world. But a chance encounter with a former music teacher leads him to believe that he can become, like his mother, a concert pianist. With the help of a young virtuoso pianist, who just arrived from China, he starts preparing for a crucial audition, but soon the pressures from his former pals mount and he gets trapped between two opposite worlds. But Tom is not just a sensible artistic young man desperately trying to escape the world he lives in. He's not entirely sure he wants to leave his old life behind him. He's got a mean streak and when necessary, he takes care of some unresolved matters using whatever means he deems appropriate to take care of unwilling partners, squatters or whoever gets in the way of his (or his father's business interests), really putting the squeeze on people unwilling to cooperate.
Romain Duris injects his role with an enormous amount of vibrancy and energy. I've never seen Duris in another role before, but his character is complex, perennially nervous, strained, angry, but incredibly charming. One moment he's in leather jacket, wiping the blood of his face after a little bashing with some squatters. The next, he's in suit and tie and negotiates with real-estate moguls. The film's atmosphere is dark, moody and downbeat, but Tom's vibrant energy and aggression firmly keeps the viewer's attention. Jacques Audiard's direction is remarkable assured. He seems to know exactly what he wants to present on the screen, never showy and a keen camera eye to give the already top-notch performances maximum impact. What's so refreshing, is that the film doesn't make a big point out of the human relationships. It never becomes overly sentimental, but at the same time all these characters are real and completely believable, just incredibly vivid characterizations. Sharply written, stylish, expertly paced, directed and performed, this is definitely one to catch.
Camera Obscura --- 9/10
It's usually the other way round, but this time the French took a shot at remaking an American film, James Toback's FINGERS (1978), which starred Harvey Keitel. And the result is excellent. This riveting human drama by Jacques Audiard features an impressive performance by Romain Duris as Tom, a 28 year-old hoodlum who seems destined to follow in his father's footsteps as a property shark working in a sleazy, barely legal twilight zone of the dodgy Parisian real-estate world. But a chance encounter with a former music teacher leads him to believe that he can become, like his mother, a concert pianist. With the help of a young virtuoso pianist, who just arrived from China, he starts preparing for a crucial audition, but soon the pressures from his former pals mount and he gets trapped between two opposite worlds. But Tom is not just a sensible artistic young man desperately trying to escape the world he lives in. He's not entirely sure he wants to leave his old life behind him. He's got a mean streak and when necessary, he takes care of some unresolved matters using whatever means he deems appropriate to take care of unwilling partners, squatters or whoever gets in the way of his (or his father's business interests), really putting the squeeze on people unwilling to cooperate.
Romain Duris injects his role with an enormous amount of vibrancy and energy. I've never seen Duris in another role before, but his character is complex, perennially nervous, strained, angry, but incredibly charming. One moment he's in leather jacket, wiping the blood of his face after a little bashing with some squatters. The next, he's in suit and tie and negotiates with real-estate moguls. The film's atmosphere is dark, moody and downbeat, but Tom's vibrant energy and aggression firmly keeps the viewer's attention. Jacques Audiard's direction is remarkable assured. He seems to know exactly what he wants to present on the screen, never showy and a keen camera eye to give the already top-notch performances maximum impact. What's so refreshing, is that the film doesn't make a big point out of the human relationships. It never becomes overly sentimental, but at the same time all these characters are real and completely believable, just incredibly vivid characterizations. Sharply written, stylish, expertly paced, directed and performed, this is definitely one to catch.
Camera Obscura --- 9/10