This is a very good movie that earns an 8 due to the amazing (though a bit overlong) ending. Without the technically brilliant ending, I'd give the film a 6 or 7.
The movie is about a small fictional French-controlled island near Tahiti. Everything seems happy and idyllic until one of the main characters justifiably protects himself from attack in a bar when visiting Tahiti (the film never mentioned WHICH island this was--just calling it "Tahiti"). However, the French legal system seems totally indifferent and unjust and sentences this native to six months in jail. And, not unexpectedly from a "child of nature", he goes almost crazy and tries to escape again and again--and increases his six month sentence to over 16 years!!! This is almost exactly like what occurred in LES MISERABLES, where poor Jean Valjean steals a loaf of bread and after trying to escape is sentenced to spend most of his life in prison--just for a crust of bread! And, like Victor Hugo's classic, there is a parallel to the character Inspector Javert--a man whose obsession with the technicalities of the law but not justice makes him almost inhuman. Interestingly, however, in this film, there are actually several characters reminiscent of Javert--not just the governor (Raymond Massey).
In the role of the native couple are Dorothy Lamour (who is beautiful and looks like a real native) and Jon Hall (who is beautiful and looks too much like a European to be believable as the native prisoner). However, Hall did an excellent job with the role, though I must admit that Lamour was given little to do other than to pout, swim and kiss Hall.
Overall, this re-working of LES MISERABLES was very competently done and interesting. John Ford and the rest did a good job. However, the hurricane scene at the end was the true star of the film. How did they ever get it to look so realistic?!
FYI--This movie was made in 1937. I seriously doubt if it would have been made in the same form just a few years later, as it makes the French government look very, very bad. During the war years or especially just after WWII, Hollywood tried very hard to portray the French in a sympathetic (such as CROSS OF LORAINE) or somewhat sympathetic light (such as in CASABLANCA).
The movie is about a small fictional French-controlled island near Tahiti. Everything seems happy and idyllic until one of the main characters justifiably protects himself from attack in a bar when visiting Tahiti (the film never mentioned WHICH island this was--just calling it "Tahiti"). However, the French legal system seems totally indifferent and unjust and sentences this native to six months in jail. And, not unexpectedly from a "child of nature", he goes almost crazy and tries to escape again and again--and increases his six month sentence to over 16 years!!! This is almost exactly like what occurred in LES MISERABLES, where poor Jean Valjean steals a loaf of bread and after trying to escape is sentenced to spend most of his life in prison--just for a crust of bread! And, like Victor Hugo's classic, there is a parallel to the character Inspector Javert--a man whose obsession with the technicalities of the law but not justice makes him almost inhuman. Interestingly, however, in this film, there are actually several characters reminiscent of Javert--not just the governor (Raymond Massey).
In the role of the native couple are Dorothy Lamour (who is beautiful and looks like a real native) and Jon Hall (who is beautiful and looks too much like a European to be believable as the native prisoner). However, Hall did an excellent job with the role, though I must admit that Lamour was given little to do other than to pout, swim and kiss Hall.
Overall, this re-working of LES MISERABLES was very competently done and interesting. John Ford and the rest did a good job. However, the hurricane scene at the end was the true star of the film. How did they ever get it to look so realistic?!
FYI--This movie was made in 1937. I seriously doubt if it would have been made in the same form just a few years later, as it makes the French government look very, very bad. During the war years or especially just after WWII, Hollywood tried very hard to portray the French in a sympathetic (such as CROSS OF LORAINE) or somewhat sympathetic light (such as in CASABLANCA).