Although this film is greatly valued by critics, film historians and its many fans, it still does not receive the respect it is due. Turner Classic Movies broadcasts Casablanca, Now Voyager, Citizen Kane, Philadelphia Story, Adam's Rib, African Queen and Bringing Up Baby 10 times for every time this film is shown. It is an injustice that this film is shown so rarely. (I would recommend to TCM that they show their "classics" less frequently and a number of less well-known films such as this more often.)
Trouble in Paradise is a comedy counterpart to a melodrama; it is a romantic melo-comedy. It is unlike any other Lubitsch film with which I am familiar. In fact, it is difficult for me to think of any film with which to compare this masterpiece. The cast is outstanding, each delivering dialog in mock melodramatic style. The soundtrack, the editing, and especially the sublime writing all combine to produce a unique, satirical melodrama parody. Perhaps this film was the model for many later films that hoped to attain the same comic irony, but seem humorless to me. The key seems to be that the actors do not take themselves seriously, but they portray characters who do.
Everything about this film is fabulous. I cannot fathom how anybody could suggest this film is outdated in any manner because it captures the ambiance of an era so perfectly. The era is past, but not this film! Do period films made today seem outdated to them? I do not need to heap redundant praise on a film that other commentators have described so well. So that you know where I'm coming from - I admit to being a HUGE Lubitsch fan. The Shop Around the Corner and Ninotchka are also among my very favorite films.
Trouble in Paradise is a comedy counterpart to a melodrama; it is a romantic melo-comedy. It is unlike any other Lubitsch film with which I am familiar. In fact, it is difficult for me to think of any film with which to compare this masterpiece. The cast is outstanding, each delivering dialog in mock melodramatic style. The soundtrack, the editing, and especially the sublime writing all combine to produce a unique, satirical melodrama parody. Perhaps this film was the model for many later films that hoped to attain the same comic irony, but seem humorless to me. The key seems to be that the actors do not take themselves seriously, but they portray characters who do.
Everything about this film is fabulous. I cannot fathom how anybody could suggest this film is outdated in any manner because it captures the ambiance of an era so perfectly. The era is past, but not this film! Do period films made today seem outdated to them? I do not need to heap redundant praise on a film that other commentators have described so well. So that you know where I'm coming from - I admit to being a HUGE Lubitsch fan. The Shop Around the Corner and Ninotchka are also among my very favorite films.