'Land of Silence and the Darkness', written and directed by Werner Herzog, is an extraordinary documentary -- remember that word, please -- about Fini Straubinger. As a child in Germany, she suffered a terrible fall which caused a popping sensation in her neck. She was afraid to tell her parents (I can well believe this), so the injury was never treated. As a teen, she progressively lost her hearing and her sight, becoming totally deaf and blind. When Herzog made this film, Straubinger was well past middle age, and had spent most of her life in silence and darkness.
Americans who see this film will be reminded of Helen Keller. But Keller lost her sight and hearing (to scarlet fever) in very early childhood, and retained only very slight memory of her stolen senses. (Touchingly, Keller did recall seeing the rainbows formed by sunlight refracted through the crystal prisms of her mother's chandelier.) Because Straubinger retained a full memory and understanding of vision and sound, she became useful as an ambassador to the kingdoms of the blind and deaf. Fini Straubinger has dedicated her life to working with people who are deaf and blind, most of whom have borne those double handicaps either from birth or (like Keller) from infancy.
Herzog follows Straubinger on a trip through Germany, financed by an organisation for the deaf-blind. We see her communicating with other deaf-blind people through a sort of tapping code. Activities which the rest of us take for granted are truly alien experiences for these unfortunate souls. For instance, the simple act of taking a shower: for someone who has never experienced this before, and cannot have it adequately explained, the sudden onslaught of pressurised water is deeply terrifying. In the final sequence, we see a deaf-blind man hugging a tree: attempting to experience this alien life-form through his senses of touch, taste and smell.
One sequence, showing Straubinger interacting with a chimpanzee, I found unpleasant and unnecessary. I get the impression that this scene was staged by Herzog in an ill-thought attempt to inject some light 'comedy relief' into a subject that audiences might find deeply depressing.
I made a point of identifying this film as a documentary, meaning it's non-fiction. Indeed, Fini Straubinger is a real person: her blindness, her deafness, and (more importantly) her work with the deaf-blind are all real, all true. At one point in this film, Straubinger tells us that her most vivid sensory memory -- before the darkness and silence closed in -- is an image of the rapturous faces of ski jumpers as they leap into the sky. After this film was released, Herzog admitted in an interview that Straubinger had never seen a ski jumper: Herzog wrote those lines for her, because he felt that ski jumpers provided the visual symbol (I refuse to misuse the word 'metaphor') which would simultaneously represent sensory rapture and Straubinger's own isolation.
I reluctantly concede that this sort of fictionalisation is a valid device in documentary films. Those of us who are fortunate to see and hear cannot truly experience the dark silent world of Fini Straubinger and her colleagues. (Unless we too are conscripted into that realm, by accidents or illness.) Since this film can never truly put us into the mind of a deaf-blind person -- especially one who has been both deaf and blind since birth, like most of the people encountered here -- some degree of invention is necessary. I recall an anecdote told by Albert Einstein (too long to repeat here; send me an email if you want the details) concerning his attempt to explain milk to a blind man: this incident never actually occurred, but Einstein told the story to prove a point about his theory of relativity.
'Land of Silence and the Darkness' is a fascinating film about a fascinating human being. My rating: 8 out of 10.
Americans who see this film will be reminded of Helen Keller. But Keller lost her sight and hearing (to scarlet fever) in very early childhood, and retained only very slight memory of her stolen senses. (Touchingly, Keller did recall seeing the rainbows formed by sunlight refracted through the crystal prisms of her mother's chandelier.) Because Straubinger retained a full memory and understanding of vision and sound, she became useful as an ambassador to the kingdoms of the blind and deaf. Fini Straubinger has dedicated her life to working with people who are deaf and blind, most of whom have borne those double handicaps either from birth or (like Keller) from infancy.
Herzog follows Straubinger on a trip through Germany, financed by an organisation for the deaf-blind. We see her communicating with other deaf-blind people through a sort of tapping code. Activities which the rest of us take for granted are truly alien experiences for these unfortunate souls. For instance, the simple act of taking a shower: for someone who has never experienced this before, and cannot have it adequately explained, the sudden onslaught of pressurised water is deeply terrifying. In the final sequence, we see a deaf-blind man hugging a tree: attempting to experience this alien life-form through his senses of touch, taste and smell.
One sequence, showing Straubinger interacting with a chimpanzee, I found unpleasant and unnecessary. I get the impression that this scene was staged by Herzog in an ill-thought attempt to inject some light 'comedy relief' into a subject that audiences might find deeply depressing.
I made a point of identifying this film as a documentary, meaning it's non-fiction. Indeed, Fini Straubinger is a real person: her blindness, her deafness, and (more importantly) her work with the deaf-blind are all real, all true. At one point in this film, Straubinger tells us that her most vivid sensory memory -- before the darkness and silence closed in -- is an image of the rapturous faces of ski jumpers as they leap into the sky. After this film was released, Herzog admitted in an interview that Straubinger had never seen a ski jumper: Herzog wrote those lines for her, because he felt that ski jumpers provided the visual symbol (I refuse to misuse the word 'metaphor') which would simultaneously represent sensory rapture and Straubinger's own isolation.
I reluctantly concede that this sort of fictionalisation is a valid device in documentary films. Those of us who are fortunate to see and hear cannot truly experience the dark silent world of Fini Straubinger and her colleagues. (Unless we too are conscripted into that realm, by accidents or illness.) Since this film can never truly put us into the mind of a deaf-blind person -- especially one who has been both deaf and blind since birth, like most of the people encountered here -- some degree of invention is necessary. I recall an anecdote told by Albert Einstein (too long to repeat here; send me an email if you want the details) concerning his attempt to explain milk to a blind man: this incident never actually occurred, but Einstein told the story to prove a point about his theory of relativity.
'Land of Silence and the Darkness' is a fascinating film about a fascinating human being. My rating: 8 out of 10.