Released in 99% white Australia at the height of the warehouse dance party wave, this hilarious all black hip hop indie rang true to us neon shirted whities who could have our own moment of 'rock around the clock style new wave dance madness' by actually dancing in the aisles of the cinema. And what a crummy cinema it was....the Mandolin in Sydney was the mangy red velvet 60s beatnik cinema that was a converted 1930s radio theater. Perfect! I think that night we went to the movies and saw Kid'n'Play's HOUSE PARTY and appropriately went to an all night dance party in a warehouse nearby with 5000 others who secretly knew it was on (yes 5000 others) and like in HOUSE PARTY, you had to know it was on in there.... so we got to see the movie and cross/culture/shift and relive the experience to the same music. HOUSE PARTY like that night is a moment in time, part of the hilarious reckless nights we have all had in the late 80s (see the great tiny1982 indie Oz pic GOING DOWN for proof) ... to new music with hilarious friends and dance tracks that allowed you to dance with 15 different people. I know there were sequels but by then the time had gone and the dance parties were full of bad drugs and bonehead behavior. HOUSE PARTY is the bookend to PARTY MONSTER.. the incredible lavish and absolutely bullseye moment of the 90s captured on film in 2003 with Macauley Culkin and Seth Green. It would be horrifying fun to see these films together in one sitting to identify the night it started and the night it stopped. I suppose it is the same idea wondering how we got from "I Wanna Hold Your Hand" to "When I Think Of You I Touch Myself". Yes HOUSE PARTY is the innocent side of the coke chopping razor and PARTY MONSTER is the harsh sunlight of next morning.
Review of House Party
