There's really nothing to distinguish GERONIMO from any standard Hollywood western about outlaws, except that this time it's a lone outlaw against the U.S. cavalry at a time when Indian treaties were being broken and the Indians wanted to fight over territorial rights. Nothing complex here, just a fictionalized account of Geronimo's love for an Indian woman who bears him a son before the fadeout and after the final battle.
Blond and blue-eyed CHUCK CONNORS isn't anyone's idea of an Indian so it's hard to tell what the casting director was thinking, but he does a commendable job of looking like one, thanks to make-up and costumes, except for the blue eyes. He makes no attempt at any sort of native accent but his stoic manner and steely-eyed gaze does help the characterization. KAMALA DEVI is good as the Indian woman who bears his child and ADAM WEST has a pivotal role as a sympathetic officer.
Nicely photographed but short on battle skirmishes, it makes passable entertainment but is hardly an outstanding western by any yardstick, dull in some stretches with a less than inspired script.
Blond and blue-eyed CHUCK CONNORS isn't anyone's idea of an Indian so it's hard to tell what the casting director was thinking, but he does a commendable job of looking like one, thanks to make-up and costumes, except for the blue eyes. He makes no attempt at any sort of native accent but his stoic manner and steely-eyed gaze does help the characterization. KAMALA DEVI is good as the Indian woman who bears his child and ADAM WEST has a pivotal role as a sympathetic officer.
Nicely photographed but short on battle skirmishes, it makes passable entertainment but is hardly an outstanding western by any yardstick, dull in some stretches with a less than inspired script.