Hello, this little film is interesting especially for an artist, film-maker or music creator or a visual artist, for:
One can feel and examine David's touch/style straight out of a short piece of relative simplicity.
You can see the rhythmic spacing of the shots, the pans and the sound elements.
Even as simple film, this creation is multy-layer. For example, there are some sounds that drone all along, while others appear (though subtle), at certain points to support certain shots.
One can see also several types of pans: some go up and down in a gentle back-forth way. There is diagonal pan. Zooms also go back and forth sometimes.
The lightning and the composition/disposition of elements in the space is, as usual and obviously, work of a painer/artist. This can be felt even in this crappy room. This is to say: one can make exquisite art already by the simple art of placing the look/view and composing the scene. Then comes the forcelines of the visuals: like digonales, parallels, etc. The light's degradées and the colours, although without too much research for textures as in big productions, are fine too. This is an artist's sketch of a sort...
All this is not calculated but done with inner feeling and this feel gives the David's touch/feel to it, as with any true artist.
One can feel and examine David's touch/style straight out of a short piece of relative simplicity.
You can see the rhythmic spacing of the shots, the pans and the sound elements.
Even as simple film, this creation is multy-layer. For example, there are some sounds that drone all along, while others appear (though subtle), at certain points to support certain shots.
One can see also several types of pans: some go up and down in a gentle back-forth way. There is diagonal pan. Zooms also go back and forth sometimes.
The lightning and the composition/disposition of elements in the space is, as usual and obviously, work of a painer/artist. This can be felt even in this crappy room. This is to say: one can make exquisite art already by the simple art of placing the look/view and composing the scene. Then comes the forcelines of the visuals: like digonales, parallels, etc. The light's degradées and the colours, although without too much research for textures as in big productions, are fine too. This is an artist's sketch of a sort...
All this is not calculated but done with inner feeling and this feel gives the David's touch/feel to it, as with any true artist.