I read "Turn of the Screw" over 20 years ago but I recall that it struck me as dead boring. I watched this adaptation in the hopes the story would grow on me over the years. Alas! The film has lovely sets, costumes, and music. It occasionally has decent acting. But overall it can be watched on fast-forward most of the time and not lose anything. Perhaps it relies on the idea that viewers will be so familiar with James' story that dialogue and even (gasp) exposition might be necessary to flesh things out a bit. I learned more from reading the viewer comments here than I did from watching the film.
Poor Jodhi May must have drunk gallons of water during filming, since she seems to spend about 50% of her on screen time with eyes bulging and her mouth hanging open. Her descent into madness is believably gradual, but her Victorian ideas of purity and evil seem to leap from nowhere. Her character desperately needed context in order to be more clear.
I saw "The Innocents" with Deborah Kerr a few years ago and it was genuinely creepy. This Masterpiece Theatre production lacked Innocents' clarity of narrative and commitment to interpretation. Instead, it wandered through far too many long shots, pan shots, and crane shots across an English country estate. And the ending was completely anti-climactic, with May's emotional level the same as it had been throughout most of the rest of the film, when instead it should have been leaping off the screen.
Three stars for pretty pictures and occasional acting; minus seven stars for poor script, vision, and direction.
Poor Jodhi May must have drunk gallons of water during filming, since she seems to spend about 50% of her on screen time with eyes bulging and her mouth hanging open. Her descent into madness is believably gradual, but her Victorian ideas of purity and evil seem to leap from nowhere. Her character desperately needed context in order to be more clear.
I saw "The Innocents" with Deborah Kerr a few years ago and it was genuinely creepy. This Masterpiece Theatre production lacked Innocents' clarity of narrative and commitment to interpretation. Instead, it wandered through far too many long shots, pan shots, and crane shots across an English country estate. And the ending was completely anti-climactic, with May's emotional level the same as it had been throughout most of the rest of the film, when instead it should have been leaping off the screen.
Three stars for pretty pictures and occasional acting; minus seven stars for poor script, vision, and direction.