We went to this film intentionally (knowing its reputation) as a means of escaping a really busy and stressful Friday. We don't recommend the film to anyone with serious cinematic intentions, However, as kitsch this film almost succeeds. So, OK, we tried to come home and convince our "knowing" kids that "In the name of the King: A Dungeon Siege Tale" was worth the Friday opener vote, but broke down laughing about five minutes into our rave when they just were not having any of it.
So let me add a few cogent notes. For 'entertainment' value, given what we were looking for after a long Friday, we were very satisfied, though we worried at times that our guffaws and groans, and open commentary, might have disturbed some of the other 30 or so people in the theater (but for their own laughing). King Burt Reynolds? Oh well. We have to admit that Ray Liotta's "Goodfellas" reprise as an evil mage was the most amazing thing we've seen since Jack Lemmon's service as Horatio in Branagh's "Hamlet." Of course, this mention of Uwe Boll's effort alongside Kenneth Branagh is totally appropriate, except that Branagh's "Hamlet" had little entertainment value of any kind. School is still out on which of these two can make the worst film of a decade.
If Matthew Lillard's over-the-top contributions to "In the name o..." (which is all of the title that fits on the ticket marquee at the theater) served well in a film with vine dangling amazons, synchronized ninja archers, prolonged out-of-focus long shots, granular irrational close-ups, and some of the most inane dialog in the history of film, one wondered in that case why Scooby Doo didn't put in a cameo in one of the dungeon or castle scenes.
Nonetheless, many of the second tier characters were convincing and well acted, amidst all the mish-mosh of incongruous effects and disaffects. So there were moments when one, though not entirely forgetting how bad this film was, felt sorry for many of those who found themselves in it. Or should they all have known better?
But laugh! Oh my, did we laugh, to the extent that it became uncomfortable laughing at a screen strewn with dead bodies and actors struggling for motivation. Oh, we could have seen high drama or thought-provoking art, but this way our Friday night was pure poetry...
the dungeon it was dark and dank the bodies in a pile and there atop the smelly heap was Ray Liotta's smile.
his polyester wizard suit bespoke a man with guile but then behind a squeaky line was Ray Liotta's smile
when Uwe Boll directs a film the casting's done with style that's why for evil, nothing's like sweet Ray Liotta's smile
and though we hoot and holler at such feckless goofy bile now laughing all the way to bank is Ray Liotta's smile
So let me add a few cogent notes. For 'entertainment' value, given what we were looking for after a long Friday, we were very satisfied, though we worried at times that our guffaws and groans, and open commentary, might have disturbed some of the other 30 or so people in the theater (but for their own laughing). King Burt Reynolds? Oh well. We have to admit that Ray Liotta's "Goodfellas" reprise as an evil mage was the most amazing thing we've seen since Jack Lemmon's service as Horatio in Branagh's "Hamlet." Of course, this mention of Uwe Boll's effort alongside Kenneth Branagh is totally appropriate, except that Branagh's "Hamlet" had little entertainment value of any kind. School is still out on which of these two can make the worst film of a decade.
If Matthew Lillard's over-the-top contributions to "In the name o..." (which is all of the title that fits on the ticket marquee at the theater) served well in a film with vine dangling amazons, synchronized ninja archers, prolonged out-of-focus long shots, granular irrational close-ups, and some of the most inane dialog in the history of film, one wondered in that case why Scooby Doo didn't put in a cameo in one of the dungeon or castle scenes.
Nonetheless, many of the second tier characters were convincing and well acted, amidst all the mish-mosh of incongruous effects and disaffects. So there were moments when one, though not entirely forgetting how bad this film was, felt sorry for many of those who found themselves in it. Or should they all have known better?
But laugh! Oh my, did we laugh, to the extent that it became uncomfortable laughing at a screen strewn with dead bodies and actors struggling for motivation. Oh, we could have seen high drama or thought-provoking art, but this way our Friday night was pure poetry...
the dungeon it was dark and dank the bodies in a pile and there atop the smelly heap was Ray Liotta's smile.
his polyester wizard suit bespoke a man with guile but then behind a squeaky line was Ray Liotta's smile
when Uwe Boll directs a film the casting's done with style that's why for evil, nothing's like sweet Ray Liotta's smile
and though we hoot and holler at such feckless goofy bile now laughing all the way to bank is Ray Liotta's smile