I just can't believe all the nasty comments about this movie. Everybody seems to think this movie actually has to measure up to the classic with Gary Cooper and Grace Kelly. Well, it doesn't. It doesn't even claim to. IT'S A TV MOVIE FOLKS!! Indeed for a TV movie it does a good job. It has a great cast. The acting is actually very good. Pernell Roberts, in an extreme departure from his Bonanza role, steals the show. His Marshall Ward is the the quintessential villain that you love to hate. Nasty and cool at the same time. In a slightly smaller role, J.A. Preston does a great job of portraying the conflicted black man who assists Ward in tracking down the good guys. The always reliable David Carradine is quite likable as the one-time outlaw who makes you root for him.
Much criticism is directed toward Lee Majors' acting in the other comments. "Stiff?" "One dimensional?" Has Majors ever been accused of being a Shakespearean actor? He is Lee Majors. The guy who plays quiet strong characters and relies on his looks for likability. Within that limited range, he is very good. I can see why he was picked to portray the same strong and quiet Will Kane that Gary Cooper portrayed in the original.
I have only two little problems with this picture. First, the original happens at high noon, thus the title. This one establishes neither the climax nor any major part of the plot as occurring in midday. Having failed to do so and still retaining the High Noon title it does open itself up to the unfair criticism of being a rip off of the original. My other issue with this movie is with the ward-robe folks who dressed Majors in almost the same outfit as he wore as Heath Barkley in The Big Valley. That, in my opinion, makes it a bit more difficult for us to accept him as Will Kane. The characters make frequent verbal references to the original High Noon story, so there is a deliberate effort here to make us remember it. Therefore, dressing Majors in a darker outfit reminiscent of Cooper's Will Kane would have served far more effectively to help us make the necessary emotional connection to the original.
If you want to watch a deep drama with a lot of character development you will be disappointed. In fact characters mostly start the same and are the same at the end of the story. What little character development there is happens with Preston's Alonzo. Also, the aforementioned references to the original seem to be merely a buildup to re-examining, albeit too briefly, the courage (or lack thereof) of the town folks who left Kane alone in his predicament in the first story. Here, was an opportunity lost when the filmmakers shortchanged us By not expanding enough on that particular point.
If you want to watch the simple story of an incident in a western genre that's done well you will not feel robbed of two hours of your life. All in all, this is an entertaining western which I would not mind, if ever on DVD, purchasing and placing right next to my cherished copy of the original.
Much criticism is directed toward Lee Majors' acting in the other comments. "Stiff?" "One dimensional?" Has Majors ever been accused of being a Shakespearean actor? He is Lee Majors. The guy who plays quiet strong characters and relies on his looks for likability. Within that limited range, he is very good. I can see why he was picked to portray the same strong and quiet Will Kane that Gary Cooper portrayed in the original.
I have only two little problems with this picture. First, the original happens at high noon, thus the title. This one establishes neither the climax nor any major part of the plot as occurring in midday. Having failed to do so and still retaining the High Noon title it does open itself up to the unfair criticism of being a rip off of the original. My other issue with this movie is with the ward-robe folks who dressed Majors in almost the same outfit as he wore as Heath Barkley in The Big Valley. That, in my opinion, makes it a bit more difficult for us to accept him as Will Kane. The characters make frequent verbal references to the original High Noon story, so there is a deliberate effort here to make us remember it. Therefore, dressing Majors in a darker outfit reminiscent of Cooper's Will Kane would have served far more effectively to help us make the necessary emotional connection to the original.
If you want to watch a deep drama with a lot of character development you will be disappointed. In fact characters mostly start the same and are the same at the end of the story. What little character development there is happens with Preston's Alonzo. Also, the aforementioned references to the original seem to be merely a buildup to re-examining, albeit too briefly, the courage (or lack thereof) of the town folks who left Kane alone in his predicament in the first story. Here, was an opportunity lost when the filmmakers shortchanged us By not expanding enough on that particular point.
If you want to watch the simple story of an incident in a western genre that's done well you will not feel robbed of two hours of your life. All in all, this is an entertaining western which I would not mind, if ever on DVD, purchasing and placing right next to my cherished copy of the original.