Although some have tried to argue that he was an actual person, it seems likely that the story of a throat-cutting barber Sweeney Todd arose first as an urban myth that was developed into an 1846 story titled THE STRING OF PEARLS by writer Thomas Prest. A year later the story was adapted to the stage as SWEENEY TODD, THE DEMON BARBER OF FLEET STREET.
In the 1970s composer and lyricist Stephen Sondheim adapted a version of the story to the musical stage. SWEENEY TODD: THE DEMON BARBER OF FLEET STREET opened on Broadway on 1 March 1979 with Len Cariou and Angela Lansbury in the leading roles. Although it swept every award available, box office fell short of expectation and the show ended with a run of 557 performances. Fortunately for us all, however, it has endured--first on the stage, then in concert, and now appearing as a film by Tim Burton and starring Johnny Depp and Helena Bonham Carter.
The story, of course, is famous. Barber Benjamin Barker (Johnny Depp) returns to London after having been falsely imprisoned many years ago. When he seeks his family he is told his wife is dead, his daughter Joanna (Jayne Wisener) a prisoner of the lecherous judge (Alan Rickman) who sentenced him. Mad for revenge and criminally twisted, Barker takes the name Sweeney Todd and is soon slitting throats right and left--first by necessity but ultimately for the pleasure of it. He soon associates with Mrs. Lovett (Helena Bonham Carter), who finds a handy way of disposing of the bodies: she bakes them into meat pies and soon has a thriving business.
Given his penchant for the Gothic, Burton would seem the perfect choice to helm a film version--and does so beautifully, especially in terms of design. This is the underbelly of Victorian, fog-shrouded London, rendered in dark tones with the occasional splash of red blood. The art design is nothing short of brilliant; the cinematography is all that you could wish. At the same time, however, there is something very slightly amiss: although it has its own fascination, the film simply isn't as funny as it should be. It is hard to say precisely why this is so, but it seems to me that the cause is two-fold: it lacks the satirical edge of the original and it has a slightly obvious quality. Instead of being innovative, SWEENEY TODD is simply Tim Burton as we already know him, and none of it comes as a surprise.
The DVD release is quite handsome, with a huge number of extras and bonuses that are sure to please. Recommended, and sure to find status as a cult classic.
GFT, Amazon Reviewer
In the 1970s composer and lyricist Stephen Sondheim adapted a version of the story to the musical stage. SWEENEY TODD: THE DEMON BARBER OF FLEET STREET opened on Broadway on 1 March 1979 with Len Cariou and Angela Lansbury in the leading roles. Although it swept every award available, box office fell short of expectation and the show ended with a run of 557 performances. Fortunately for us all, however, it has endured--first on the stage, then in concert, and now appearing as a film by Tim Burton and starring Johnny Depp and Helena Bonham Carter.
The story, of course, is famous. Barber Benjamin Barker (Johnny Depp) returns to London after having been falsely imprisoned many years ago. When he seeks his family he is told his wife is dead, his daughter Joanna (Jayne Wisener) a prisoner of the lecherous judge (Alan Rickman) who sentenced him. Mad for revenge and criminally twisted, Barker takes the name Sweeney Todd and is soon slitting throats right and left--first by necessity but ultimately for the pleasure of it. He soon associates with Mrs. Lovett (Helena Bonham Carter), who finds a handy way of disposing of the bodies: she bakes them into meat pies and soon has a thriving business.
Given his penchant for the Gothic, Burton would seem the perfect choice to helm a film version--and does so beautifully, especially in terms of design. This is the underbelly of Victorian, fog-shrouded London, rendered in dark tones with the occasional splash of red blood. The art design is nothing short of brilliant; the cinematography is all that you could wish. At the same time, however, there is something very slightly amiss: although it has its own fascination, the film simply isn't as funny as it should be. It is hard to say precisely why this is so, but it seems to me that the cause is two-fold: it lacks the satirical edge of the original and it has a slightly obvious quality. Instead of being innovative, SWEENEY TODD is simply Tim Burton as we already know him, and none of it comes as a surprise.
The DVD release is quite handsome, with a huge number of extras and bonuses that are sure to please. Recommended, and sure to find status as a cult classic.
GFT, Amazon Reviewer