It's only about twice a decade that I run across a movie that really impresses me. It's usually an obscure film that I entered with no expectations -- but left blown away by its cinematic achievement.
I just saw such a film tonight. "The Visitor" A small independent production with zero-advertising. Made by Tom McCarthy whose prior film, "The Station Agent," was an imperfect, character-absorbed drama.
The star of this movie is an actor (Richard Jenkins) whom you'll recognize from his numerous roles as minor-characters, most notably the dead-patriarch in "Six Feet Under." All of the other actors are completely unknown, but notably talented.
The appeal of this film is its story. An aged, listless academic, whose wife died earlier, floats through his uninteresting life until something happens to jar him. What happens next is unexpected, interesting and poignant. It would ruin the story if I told it to you, so you'll have to trust me. Suffice it to say it's a story of rebirth.
Like most of my favorite films, it has comedy, pathos, surprises, authenticity and a philosophical examination of what it means to be human. In short, everything, even politics.
And the presentation is skillfully-crafted. McCarthy demonstrates what was good about his prior work without dragging it down with what was bad about that work.
See it.
I just saw such a film tonight. "The Visitor" A small independent production with zero-advertising. Made by Tom McCarthy whose prior film, "The Station Agent," was an imperfect, character-absorbed drama.
The star of this movie is an actor (Richard Jenkins) whom you'll recognize from his numerous roles as minor-characters, most notably the dead-patriarch in "Six Feet Under." All of the other actors are completely unknown, but notably talented.
The appeal of this film is its story. An aged, listless academic, whose wife died earlier, floats through his uninteresting life until something happens to jar him. What happens next is unexpected, interesting and poignant. It would ruin the story if I told it to you, so you'll have to trust me. Suffice it to say it's a story of rebirth.
Like most of my favorite films, it has comedy, pathos, surprises, authenticity and a philosophical examination of what it means to be human. In short, everything, even politics.
And the presentation is skillfully-crafted. McCarthy demonstrates what was good about his prior work without dragging it down with what was bad about that work.
See it.