STEP LIVELY is a vast improvement over Sinatra's HIGHER AND HIGHER at RKO, but that's hardly a big compliment. Nevertheless, it's a more enjoyable romp with some good work from others in the cast, including GEORGE MURPHY and GLORIA DeHAVEN, but much of the comedy is played so broadly that it seems forced at times.
Based on "Room Service", a comedy starring the Marx Bros. and based on a stage play, it's about a nervous hyperactive producer (Murphy) who wants to put on a show and is encouraged when he finds a talented writer/singer (Sinatra). The trouble is he can't pay his hotel bill and is constantly being badgered for money by WALTER SLEZAK and ADOLPHE MENJOU who don't want him to hold rehearsals for a new show in a penthouse suite.
It's a broad farce and is played for non-stop zaniness by the entire cast, but the constant shouting by Murphy and Menjou becomes tiresome after the first half-hour. ANNE JEFFREYS has a thankless role as a young lady who is only interested in having EUGENE Palette back the show because she's got a crush on Sinatra once she hears him sing.
The songs themselves don't make much of an impression, but are handled suitably by Sinatra and GLORIA DeHAVEN. It's no more then a B-musical with some A-sets for the hotel settings and production numbers.
Sinatra is his casual self in a role that makes no great demands of him except to sing on cue, but everyone else is given to extravagant bits of overacting. His best number is "As Long As There's Music", but it's a good thing he was soon grabbed by MGM for ANCHORS AWEIGH.
Based on "Room Service", a comedy starring the Marx Bros. and based on a stage play, it's about a nervous hyperactive producer (Murphy) who wants to put on a show and is encouraged when he finds a talented writer/singer (Sinatra). The trouble is he can't pay his hotel bill and is constantly being badgered for money by WALTER SLEZAK and ADOLPHE MENJOU who don't want him to hold rehearsals for a new show in a penthouse suite.
It's a broad farce and is played for non-stop zaniness by the entire cast, but the constant shouting by Murphy and Menjou becomes tiresome after the first half-hour. ANNE JEFFREYS has a thankless role as a young lady who is only interested in having EUGENE Palette back the show because she's got a crush on Sinatra once she hears him sing.
The songs themselves don't make much of an impression, but are handled suitably by Sinatra and GLORIA DeHAVEN. It's no more then a B-musical with some A-sets for the hotel settings and production numbers.
Sinatra is his casual self in a role that makes no great demands of him except to sing on cue, but everyone else is given to extravagant bits of overacting. His best number is "As Long As There's Music", but it's a good thing he was soon grabbed by MGM for ANCHORS AWEIGH.