There is an old German proverb that says that size doesn't matter ( well, size does count for this count having in mind the perimeter of his Teutonic heiresses
) and the saying rings true with "Ménilmontant" a medium-length silent film directed by Herr Dimitri Kirsanoff, and a striking, disturbing masterpiece.
Herr Kirsanoff's direction is astonishing in every aspect of the film, particularly in its technique. It's a mixture of drama, avant-garde, experimental film and hyper realism. The story depicted in the film ( the terrible life of two orphan sisters ) doesn't allow any concession to the audience; to watch "Ménilmontant" today still invokes amazement, distress and an infinite sadness.
From the very start of the film ( superb, striking and masterful editing by Herr Kirsanoff himself ) the director shows power and imagination and a strong control of film narrative ( there is no need of intertitles ). Kiransoff's use of imagery is thrilling and brilliant. Images emphasize a ruined happy childhood and the duality and dangers of a big city ( flashbacks, imaginative camera angles, dreamy and poetic shots ) not to mention the sorrowful life of the two orphans, an existence of loneliness, abandonment and despair that broke the heart of a heartless German aristocrat, especially the superb scene in which the younger sister ( touching Dame Nadia Sibirskaia ) ,alone and hungry on a bench park with her baby, accepts some bread from an old man, a moving and lyrical scene, that summarizes the spirit and achievement of this oeuvre.
"Ménilmontant" is a work of art, a striking experimental style in the service of a tragic and sad story, brilliantly and disturbingly balanced.
And now, if you'll allow me, I must temporarily take my leave because this German Count must become a little livelier.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
Herr Kirsanoff's direction is astonishing in every aspect of the film, particularly in its technique. It's a mixture of drama, avant-garde, experimental film and hyper realism. The story depicted in the film ( the terrible life of two orphan sisters ) doesn't allow any concession to the audience; to watch "Ménilmontant" today still invokes amazement, distress and an infinite sadness.
From the very start of the film ( superb, striking and masterful editing by Herr Kirsanoff himself ) the director shows power and imagination and a strong control of film narrative ( there is no need of intertitles ). Kiransoff's use of imagery is thrilling and brilliant. Images emphasize a ruined happy childhood and the duality and dangers of a big city ( flashbacks, imaginative camera angles, dreamy and poetic shots ) not to mention the sorrowful life of the two orphans, an existence of loneliness, abandonment and despair that broke the heart of a heartless German aristocrat, especially the superb scene in which the younger sister ( touching Dame Nadia Sibirskaia ) ,alone and hungry on a bench park with her baby, accepts some bread from an old man, a moving and lyrical scene, that summarizes the spirit and achievement of this oeuvre.
"Ménilmontant" is a work of art, a striking experimental style in the service of a tragic and sad story, brilliantly and disturbingly balanced.
And now, if you'll allow me, I must temporarily take my leave because this German Count must become a little livelier.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/