Truffaut's short film, made to pacify the curiosity eager fans of The 400 Blows as to the continuation of the lives of its disadvantaged characters, carries the same dry lack of emotion and still distances itself from us despite all its observation of and sympathy for the growing pains of Antoine Doinel. Though it is perhaps good that there is a distance kept because of its logical understanding of Antoine's experiences which leave him confused and painfully humbled.
Jean-Pierre Leaud, who played Antoine in The 400 Blows, experiences the seemingly apocalyptic feeling of rejection, as Collette, the fixed object of his desire, has no interest in him regardless of all his efforts to entice her with frequent stopovers, invitations to concerts, and other woos. He even follows his self-assured friend's approach of writing letters, but with what appears to be no avail. Just as with The 400 Blows, we are left to ponder this perplexing phase in this character's life, causing us to reflect on our own painful memories of growing pains and the humility and self-doubt that accompanies it.
Jean-Pierre Leaud, who played Antoine in The 400 Blows, experiences the seemingly apocalyptic feeling of rejection, as Collette, the fixed object of his desire, has no interest in him regardless of all his efforts to entice her with frequent stopovers, invitations to concerts, and other woos. He even follows his self-assured friend's approach of writing letters, but with what appears to be no avail. Just as with The 400 Blows, we are left to ponder this perplexing phase in this character's life, causing us to reflect on our own painful memories of growing pains and the humility and self-doubt that accompanies it.