Young Swedish director Ruben Östlund made a strong debut with "Gitarrmongot". It was a very personal way of narration. In "De ofrivilliga" he gives even more promises.
Five episodes, involving five very different kinds of Swedish people. But they get one thing in common and that is a very destructive group pressure in very different ways. The acting is really superb, although you hardly have seen any of these people on the screen before, with the exception of Maria Lundquist.
Östlund works with very special camera angles. Sometimes you don't see the heads of those who are talking. Sometimes you will have to look around for a couple of seconds to find the main character, who is somewhere else than you're used too. This is a challenging movie in many ways, which makes you think and feel. And there are truly strong thoughts and feelings.
Five episodes, involving five very different kinds of Swedish people. But they get one thing in common and that is a very destructive group pressure in very different ways. The acting is really superb, although you hardly have seen any of these people on the screen before, with the exception of Maria Lundquist.
Östlund works with very special camera angles. Sometimes you don't see the heads of those who are talking. Sometimes you will have to look around for a couple of seconds to find the main character, who is somewhere else than you're used too. This is a challenging movie in many ways, which makes you think and feel. And there are truly strong thoughts and feelings.