6/10
KLONDIKE ANNIE (Raoul Walsh, 1936) **1/2
30 December 2008
This is another middling Mae West vehicle: though there's something approximating a plot in its case (involving her taking up the guise of a missionary!), this has the unfortunate effect of producing unwarranted sentimentality – consequently, the star's trademark sauciness gets downplayed – which, frankly, doesn't suit her in the least…or convince us for a second! At least, director Walsh vividly renders the turn-of-the-century atmosphere and changes of locale: we start in Chinatown, where Mae's the kept woman of an Oriental establishment owner, then spend a good deal of time aboard ship with rowdy captain Victor McLaglen – during which the real (and elderly) Sister Annie perishes from a heart attack – and, finally, settle in the titular gold-mining region – where the heroine above all turns the head of a young Mountie (actually after West for the death of her Asian master that occurs off-screen!) even if he believes her to be a pious woman.

Needless to say, West's bubbly personality and smart business sense (acquired via her former capacity of world-renowned torch singer) turns around the mission's formerly pitiful fortunes – which even come to threaten the takings at the local saloon (especially since she's recruited many of the performers there to liven up her own "joint")! I was under the impression that KLONDIKE ANNIE was something like 80 minutes long (the Leslie Halliwell Film Guide even gives the running-time as 83), so that I was surprised when it abruptly ended – by having the star forsake the young career man for experienced lout McLaglen – at a little over 73 minutes in PAL mode (with a bit of research, I was able to determine that Image's presumably long out-of-print R1 DVD actually only ran for 76 minutes).
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