An innocent enough decision. Filip (Jerzy Stuhr) buys a camera to film his new daughter. It costs two months salary and it makes him a celebrity of sorts as he is the only one in town that has one.
Now, his boss wants him to film the 25th anniversary celebration of the company. He really gets into filming and soon runs headlong into "rules." Of course, you have rules in a communist country. His wife is not too excited about his new hobby, but he soon gets his film entered into a film festival.
Soon, like all who truly love film, Filip is attending screenings, talking to directors, and reading film magazines to improve his craft. But, more and more his wife is displeased, and his boss is cooling to the idea as he moves from filming the company to social statements.
His desire for tranquility gives way to a desire for fame and art at the cost of his wife and family.
He also discovers the unintended consequences of reporting the truth. In the end he turns the camera on himself as he realizes he had everything in the beginning and lost it all.
A fascinating look at real cinema and finding what you want.
Now, his boss wants him to film the 25th anniversary celebration of the company. He really gets into filming and soon runs headlong into "rules." Of course, you have rules in a communist country. His wife is not too excited about his new hobby, but he soon gets his film entered into a film festival.
Soon, like all who truly love film, Filip is attending screenings, talking to directors, and reading film magazines to improve his craft. But, more and more his wife is displeased, and his boss is cooling to the idea as he moves from filming the company to social statements.
His desire for tranquility gives way to a desire for fame and art at the cost of his wife and family.
He also discovers the unintended consequences of reporting the truth. In the end he turns the camera on himself as he realizes he had everything in the beginning and lost it all.
A fascinating look at real cinema and finding what you want.