I'm giving this a 10 because, 1) I think it's a good film and 2) some have not been fair with the rating of this film so I'm balancing it out.
I love this film. Decades ago, I used to read a lot of Henry James. The funny thing about a James novel is that it always leaves you scratching your head. James' brother, William, was a psychiatrist I believe, and it seems that Henry may have been using a little psychological gamesmanship while crafting many of his intriguing characters. For example, The Turn of the Screw is a book that rather famously has an open ending: one chilling, the other supernatural. Which will the reader choose? I bring this up because "The Bostonians" is also up to interpretation and this is where the actors, especially Reeve, give us another dimensional glimpse into their characters. On the one hand, this film can be taken as a love story, and a good one at that. On the other hand, however, one has to wonder if Reeve's character truly loves his target or is he just trying to "possess" her and therefore, keep her from becoming the vessel of all that he despises. Is she a conquest or a lover? Basil Ransom, Reeve's character, has just come from the South in a post civil war era. All that he knew as a child growing up in Mississippi is gone. He visits his cousin Olive played by Redgrave, at her request, only to find that she, unlike himself, is still very well off, her life is remarkably unchanged since the war's end. But she immediately comes to despise him for his beliefs. She refers to him as the "Enemy". Even though the Civil War is over, she is thinking of another kind of war, the war of the suffragettes. And in true James fashion, even this is complicated by Olive's perceived homosexuality as opposed to Reeve's clearly hetero thoughts and ideas. She sees Ransom as a threat to her own happiness with Verena (Potter). So there are layers of motive here for Olive's hatred of Ransom.
Ransom's beliefs, however, are what he clings to relentlessly, purposefully, deliberately, because they are all he has left of his bygone era. His history, his lifestyle, has died. He has already suffered the loss of one war, will he see this new challenge as an opportunity to finally win? Indeed, toward the end, as he puts the black cloak over Verena's head, the look on his face could be that of a warrior admiring, and protecting a hard fought prized possession. Or is it the look of tenderness as that of a lover beaming at his cherished bride? You decide. That's what James would have wanted.
Oddly, Verena becomes, not a human with her own ideas but rather a vessel for other people to live out their own thoughts and ideas. It is ironic because she speaks publicly and passionately about the exact opposite yet everyone that surrounds her, from her parents to a local reporter, to Olive and Ransom... they all want something from Verena, they are all using her but she seems oblivious to it all. In the end she finally seems to make a decision purely for herself but again, perhaps not.
An interesting scene plays out between two characters played by Nancy Marchant and Redgrave, they seem to be brokering the future of Verena but in the end, Olive (Redgrave) decides to hide away with her. The ending could have been quite different but selfishness apparently won out. Here again, motives are not exactly all that they seem. They both agree they are for equal rights of women yet the dialogue is all about using Verena as a chess piece to further their own goals. It is a masterpiece of irony and hypocrisy.
Linda Hunt as the already liberated female doctor who does not particularly care for speeches and the "movement" seems to inhabit the role and without a word seems to highlight the hypocrisy of others. She is remarkably believable and seems to breeze through as if she really does live in the time and place set in the movie. Her character is already liberated but doesn't see the need to preach it from the pulpit, she just lives it. She's very happy, without a man, with her own medical career, but no one seems to notice except Ransom. Ransom gets along very well with her and they immediately become friends.
Christopher Reeve, Vanessa Redgrave, Linda Hunt, and Nancy Marchant did this Henry James novel proud; and that's no easy task.
I love this film. Decades ago, I used to read a lot of Henry James. The funny thing about a James novel is that it always leaves you scratching your head. James' brother, William, was a psychiatrist I believe, and it seems that Henry may have been using a little psychological gamesmanship while crafting many of his intriguing characters. For example, The Turn of the Screw is a book that rather famously has an open ending: one chilling, the other supernatural. Which will the reader choose? I bring this up because "The Bostonians" is also up to interpretation and this is where the actors, especially Reeve, give us another dimensional glimpse into their characters. On the one hand, this film can be taken as a love story, and a good one at that. On the other hand, however, one has to wonder if Reeve's character truly loves his target or is he just trying to "possess" her and therefore, keep her from becoming the vessel of all that he despises. Is she a conquest or a lover? Basil Ransom, Reeve's character, has just come from the South in a post civil war era. All that he knew as a child growing up in Mississippi is gone. He visits his cousin Olive played by Redgrave, at her request, only to find that she, unlike himself, is still very well off, her life is remarkably unchanged since the war's end. But she immediately comes to despise him for his beliefs. She refers to him as the "Enemy". Even though the Civil War is over, she is thinking of another kind of war, the war of the suffragettes. And in true James fashion, even this is complicated by Olive's perceived homosexuality as opposed to Reeve's clearly hetero thoughts and ideas. She sees Ransom as a threat to her own happiness with Verena (Potter). So there are layers of motive here for Olive's hatred of Ransom.
Ransom's beliefs, however, are what he clings to relentlessly, purposefully, deliberately, because they are all he has left of his bygone era. His history, his lifestyle, has died. He has already suffered the loss of one war, will he see this new challenge as an opportunity to finally win? Indeed, toward the end, as he puts the black cloak over Verena's head, the look on his face could be that of a warrior admiring, and protecting a hard fought prized possession. Or is it the look of tenderness as that of a lover beaming at his cherished bride? You decide. That's what James would have wanted.
Oddly, Verena becomes, not a human with her own ideas but rather a vessel for other people to live out their own thoughts and ideas. It is ironic because she speaks publicly and passionately about the exact opposite yet everyone that surrounds her, from her parents to a local reporter, to Olive and Ransom... they all want something from Verena, they are all using her but she seems oblivious to it all. In the end she finally seems to make a decision purely for herself but again, perhaps not.
An interesting scene plays out between two characters played by Nancy Marchant and Redgrave, they seem to be brokering the future of Verena but in the end, Olive (Redgrave) decides to hide away with her. The ending could have been quite different but selfishness apparently won out. Here again, motives are not exactly all that they seem. They both agree they are for equal rights of women yet the dialogue is all about using Verena as a chess piece to further their own goals. It is a masterpiece of irony and hypocrisy.
Linda Hunt as the already liberated female doctor who does not particularly care for speeches and the "movement" seems to inhabit the role and without a word seems to highlight the hypocrisy of others. She is remarkably believable and seems to breeze through as if she really does live in the time and place set in the movie. Her character is already liberated but doesn't see the need to preach it from the pulpit, she just lives it. She's very happy, without a man, with her own medical career, but no one seems to notice except Ransom. Ransom gets along very well with her and they immediately become friends.
Christopher Reeve, Vanessa Redgrave, Linda Hunt, and Nancy Marchant did this Henry James novel proud; and that's no easy task.