It's not the first Oliver Hardy "tie-twiddle" that's supposed to be in this film, it's the first "camera-look," and even that's not quite true. In 1954, Oliver Hardy gave an interview to John McCabe in which he recounted what he remembered as the first of his long-suffering gazes into the camera. The scene he recalled--being hit in the face by buckets of water immediately after opening a door, and then staring into the camera in disgust--is in this film, although Hardy mistakenly remembered it as being in "Why Girls Love Sailors." He doesn't actually stare into the camera after being hit with the water so much as glance a few times at us. What's interesting is that Stan Laurel is playing directly to the camera throughout this entire film, both in long shots and close ups. With their next film, "Do Detectives Think?," the process is more like what it would be in their mature films, with only Ollie breaking the fourth wall and looking directly into the camera.
The credited director of this film was Hal Yates, although he actually only directed one day's worth of retakes (April 18, 1927). I know this to be a fact as I am the author of "Laurel & Hardy: The Magic Behind the Movies" and spent years doing research on the team, locating the precise shooting dates for most of their films. The actual director for most of the filming (April 4 through 14) was Hal Roach. The reason that Fred Guiol is credited as the director on the available DVD is because the producer of that disc created new main titles (they were missing on the available print, which was from a foreign source) and substituted a director credit title from "With Love and Hisses."
This is quite an excellent film, with fine support from Anita Garvin and Viola Richard. The production values are surprisingly elaborate, which isn't really apparent in the battered print that's currently available on DVD.
The credited director of this film was Hal Yates, although he actually only directed one day's worth of retakes (April 18, 1927). I know this to be a fact as I am the author of "Laurel & Hardy: The Magic Behind the Movies" and spent years doing research on the team, locating the precise shooting dates for most of their films. The actual director for most of the filming (April 4 through 14) was Hal Roach. The reason that Fred Guiol is credited as the director on the available DVD is because the producer of that disc created new main titles (they were missing on the available print, which was from a foreign source) and substituted a director credit title from "With Love and Hisses."
This is quite an excellent film, with fine support from Anita Garvin and Viola Richard. The production values are surprisingly elaborate, which isn't really apparent in the battered print that's currently available on DVD.