First-rate production from TCF. The studio's craftsmanship is really in evidence in this atmospheric and moving account of one woman's heroic effort at surviving Japanese internment during WWII. A highly de-glamorized Colbert is simply superb as real-life Britisher Agnes Keith imprisoned on Borneo with her small boy in the early days of the war. Those nightmarish jungle scenes with the wind and the foliage have stayed with me over the years and cast an appropriately unstable mood over the movie as a whole. Credit ace director Jean Negulesco for bringing out the film's strong emotional values without sentimentalizing them. He continues to be an underrated movie-maker from the dynamic studio period.
We know from Sessue Hayakawa's cultivated Japanese colonel that Hollywood is changing its perceptions of our former enemy. Cruel stereotypes do continue (presumably based on fact), but the colonel's character is humanized to an unusually sympathetic degree-- even his loss in the recent atomic bombing of Hiroshima is mentioned. Then too, it's well to remember that during the war our government interned US citizens of Japanese extraction in pretty inhospitable camps along the eastern Sierras, and probably illegally so.
Anyway, the movie has the look and feel of the real thing, while the producers should be saluted for using as many actual locations as possible. The fidelity shows. Since the story is the thing, the cast appropriately has no stars except for Colbert, which helps produce the realistic effect. There are a number of riveting and well-staged scenes. But the staging of the final crowd re-union scene strikes me as particularly well done. And, of course, there's that final heart-breaking view of the hilltop that still moves me, even 60 years later. All in all, this is the old Hollywood system at its sincere and de-glamorized best.
We know from Sessue Hayakawa's cultivated Japanese colonel that Hollywood is changing its perceptions of our former enemy. Cruel stereotypes do continue (presumably based on fact), but the colonel's character is humanized to an unusually sympathetic degree-- even his loss in the recent atomic bombing of Hiroshima is mentioned. Then too, it's well to remember that during the war our government interned US citizens of Japanese extraction in pretty inhospitable camps along the eastern Sierras, and probably illegally so.
Anyway, the movie has the look and feel of the real thing, while the producers should be saluted for using as many actual locations as possible. The fidelity shows. Since the story is the thing, the cast appropriately has no stars except for Colbert, which helps produce the realistic effect. There are a number of riveting and well-staged scenes. But the staging of the final crowd re-union scene strikes me as particularly well done. And, of course, there's that final heart-breaking view of the hilltop that still moves me, even 60 years later. All in all, this is the old Hollywood system at its sincere and de-glamorized best.