Bartok the Magnificent (1999 Video)
7/10
Not as good as "Anastasia" but great fun besides!
2 May 2009
Warning: Spoilers
As a sequel/prequel to "Anastasia", Don Bluth's infamous Disney rip-off and one of my personal favourite animated flics, "Bartok the Magnificent" *does* fall short, but it still stands on its own with its own sentimental qualities; cute humour, great voice acting, and endearing (albiet childish) animation. Even though Bartok is a pseudo-villain in Anastasia (he faithfully assists Rasputin without really seeming evil), he makes a great hero.

The plot flows thusly - Bartok (played once more by the incomparable Hank Azaria) has a road-side, travelling show, in which he portrays himself and sings about his (completely made-up) heroic doings, while staging the dramatic killing of a vicious bear (portrayed by Bartok's partner-in-crime, Zozi - played by Kelsey Grammar). Through these antics the little white bat gains quite a fan-base, including the young Czar-to-be, Prince Ivan. And so, it is no surprise to anyone (except perhaps Bartok himself) when he is begged to rescue the Prince from the evil witch of Russian folklore, Baba Yaga (Andrea Martin). In his journey, Bartok meets a wonderful cast of characters, including a snake-thing called Piloff (Jennifer Tilly) and a riddling skull (Tim Currey), and discovers the hero in him he never knew.

While the ending leaves a few things unanswered (for example; if Bartok becomes a beloved hero in Moscow, as he does, how did he end up falling in with the wicked Rasputin?), "Bartok the Magnificent" gives for good fun for the whole family - kids will laugh at the corny jokes (maybe their parents too) and the talking animals. Adults will enjoy the use of great voice actors like Azaria, Grammar, Martin, Tilly and Currey, as well as Catherine O'Hara, cast as the voice of diabolical Regent Ludmilla (a character so hilariously over-the-top that she becomes just as "magnificent" as the title character).

All in all, yes, "Bartok the Magnificent" fails to live up to the very high standard set by its predecessor, but it remains a cut and entertaining addition to Don Bluth's resume.
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